{"id":3585,"date":"2020-08-26T20:31:42","date_gmt":"2020-08-26T19:31:42","guid":{"rendered":"https:\/\/zagrajwsztuke.pl\/?p=3585"},"modified":"2020-08-31T00:26:53","modified_gmt":"2020-08-30T23:26:53","slug":"artur-grottger","status":"publish","type":"post","link":"https:\/\/zagrajwsztuke.pl\/en\/artur-grottger\/","title":{"rendered":"Artur Grottger"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.5.8&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Grottger_Escape_of_Henry_of_Valois.jpg&#8221; parallax=&#8221;on&#8221; custom_padding=&#8221;7vw||10vw||false|false&#8221; custom_padding_tablet=&#8221;100px||100px||true&#8221; custom_padding_phone=&#8221;||||true&#8221; bottom_divider_style=&#8221;ramp2&#8243; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; 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letter-spacing: 0.5px;\">Artur Grottger<\/strong><\/h3>\n<h3><strong>\u2013 romantyczny rycerz narodowej sztuki <\/strong><\/h3>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Get Started&#8221; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;0px||||false|false&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Artur_Grottger_foto.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;Artur_Grottger_foto&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.8&#8243; max_width=&#8221;1100px&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;-8vw|||&#8221; custom_margin_tablet=&#8221;0vw|||&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;1%&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Artur Grottger, fotografia portretowa, Wikipedia[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_text _builder_version=&#8221;4.5.8&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2>Artur Grottger<\/h2>\n<h2>(1837-1867)<\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]Jeden z czo\u0142owych przedstawicieli romantyzmu w malarstwie polskim \u2013 artysta, walcz\u0105cy za pomoc\u0105 sztuki o niepodleg\u0142o\u015b\u0107 ojczyzny. Jego mistrzowskie obrazy trafia\u0142y w czu\u0142e struny Polak\u00f3w, apelowa\u0142y do ich patriotycznych uczu\u0107 i wzmacnia\u0142y kult romantycznego bohaterstwa. Rysowa\u0142 i malowa\u0142 sceny batalistyczne, konie, zaprz\u0119gi, polowania, karykatury. W historii polskiej sztuki zapisa\u0142 si\u0119 g\u0142\u00f3wnie jako tw\u00f3rca rysunkowych cykl\u00f3w patriotycznych, kt\u00f3re \u2013 wielokrotnie reprodukowane \u2013 wesz\u0142y do kanonu sztuki narodowej.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][et_pb_blurb title=&#8221;CZO\u0141OWY PRZEDSTAWICIEL ROMANTYZMU W MALARSTWIE POLSKIM&#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%176%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_circle=&#8221;on&#8221; circle_color=&#8221;rgba(106,154,232,0.3)&#8221; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.8&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_line_height=&#8221;1.8em&#8221; 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custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.8&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2>Artur Grottger<\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_blurb title=&#8221;1837&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%169%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>11 listopada w Ottyniowicach (Ukraina) urodzi\u0142 si\u0119 Artur Grottger, syn Jana J\u00f3zefa (malarz z wykszta\u0142cenia, walczy\u0142 w Powstaniu Listopadowym jako oficer 5. Pu\u0142ku U\u0142an\u00f3w \u201eWarszawskie Dzieci\u201d) i Krystyny Blahao de Chodietow. Pierwsze lekcje rysunku Artur Grottger otrzyma\u0142 od ojca &#8211; malarza, kt\u00f3ry by\u0142 r\u00f3wnie\u017c \u015bwietnym gaw\u0119dziarzem. Artysta wyr\u00f3s\u0142 na patriotycznych opowie\u015bciach i wspomnieniach powsta\u0144czych ojca<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1849&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>Artur Grottger uczy\u0142 si\u0119 u lwowskiego malarza Jana Maszkowskiego<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1850&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%72%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>artystycznych konsultacji we Lwowie udziela\u0142 mu <a href=\"https:\/\/zagrajwsztuke.pl\/juliusz-kossak\/\" target=\"_blank\" rel=\"noopener noreferrer\"><u>Juliusz Kossak<\/u><\/a><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1851&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p><strong>1851 <\/strong>16 pa\u017adziernika 1851 do Lwowa przyby\u0142 r\u00f3wnie\u017c cesarz austriacki Franciszek J\u00f3zef I. \u00a0Artur Grottger namalowa\u0142 wjazd monarchy do miasta. Gdy cesarz otrzyma\u0142 akwarel\u0119, ufundowa\u0142 m\u0142odemu arty\u015bcie stypendium (20 gulden\u00f3w miesi\u0119cznie), nakazuj\u0105c mu podj\u0105\u0107 studia artystyczne w Krakowie, a nast\u0119pnie w Wiedniu<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1852-1854&#8243; _builder_version=&#8221;4.5.8&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>studiowa\u0142 w Akademii Sztuk Pi\u0119knych, gdzie doskonali\u0142 sw\u00f3j warsztat artystyczny pod okiem takich malarzy i pedagog\u00f3w, jak prof. W\u0142adys\u0142aw \u0141uszczkiewicz i prof. Wojciech Stattler. Na studiach zaprzyja\u017ani\u0142 si\u0119 te\u017c z <u>Janem Matejk\u0105<\/u><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1854-1858&#8243; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p><strong>\u00a0<\/strong>Artur Grottger rozpocz\u0105\u0142 studia w Akademii Sztuk Pi\u0119knych w Wiedniu, gdzie osi\u0105gn\u0105\u0142 sukces r\u00f3wnie\u017c jako ilustrator, wsp\u00f3\u0142pracuj\u0105c z poczytnymi czasopismami wiede\u0144skimi takimi jak <em>\u201eMuseestunden\u201d<\/em>, <em>\u201eWaldheim\u2019s Illustierte Zeitung\u201d<\/em> oraz \u201e<em>Waldheim\u2019s Illustierte Blatter\u201d<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1859&#8243; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>artysta rozpocz\u0105\u0142 wsp\u00f3\u0142prac\u0119 z wydawanym w Wiedniu polskim czasopismem <em>\u201ePost\u0119p\u201d<\/em>, a w 1863 zosta\u0142 jego redaktorem naczelnym<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1863&#8243; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>w czasie Powstania Styczniowego anga\u017cowa\u0142 si\u0119 w pomoc dla uchod\u017ac\u00f3w. Niestety straci\u0142 stypendium cesarza Franciszka J\u00f3zef I, po tym jak 23 grudnia w mieszkaniu Artura Grottgera aresztowano Polaka podejrzanego o dzia\u0142alno\u015b\u0107 spiskow\u0105. Artysta popad\u0142 w bied\u0119 i musia\u0142 wyjecha\u0107 z Wiednia<\/p>\n<p>[\/et_pb_blurb][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/894px-Artur_Grottger_-_Portret_Rozalii_Matyldy_Glaser_1864.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;894px-Artur_Grottger_-_Portret_Rozalii_Matyldy_Glaser_1864&#8243; _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Portret Rozalii Matyldy Glaser, Wikipedia[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/820px-Artur_Grottger_Portret_wlasny.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;820px-Artur_Grottger,_Portret_w\u0142asny&#8221; align=&#8221;right&#8221; force_fullwidth=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.8&#8243; custom_margin=&#8221;||-10%|&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;4%&#8221;][\/et_pb_image][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Autoportret, 1867, Wikipedia[\/et_pb_text][et_pb_blurb title=&#8221;1864 &#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%135%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>m\u0142odszy brat malarza Jaros\u0142aw Grottger zosta\u0142 zes\u0142any na Syberi\u0119 za udzia\u0142 w powstaniu<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1866 &#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%122%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>Artur Grottger zakocha\u0142 si\u0119 ze wzajemno\u015bci\u0105 w Wandzie Monn\u00e9, kt\u00f3ra sta\u0142a si\u0119 jego muz\u0105 (jej wizerunek pojawia si\u0119 prawie w ka\u017cdej kobiecej postaci, jak\u0105 narysowa\u0142). Niestety rodzina Wandy sprzeciwia\u0142a si\u0119 temu zwi\u0105zkowi z uwagi na stan zdrowia i problemy finansowe artysty.<\/p>\n<p>[\/et_pb_blurb][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/855px-Ophelia1865.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;855px-Ophelia1865&#8243; align=&#8221;right&#8221; force_fullwidth=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.8&#8243; custom_margin=&#8221;||-10%|&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;4%&#8221;][\/et_pb_image][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Ofelia 1865, Muzeum Narodowe w Krakowie, Wikipedia[\/et_pb_text][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_blurb title=&#8221;1866&#8243; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>wyjecha\u0142 do Francji z nadziej\u0105 na odniesienie sukcesu, jednak choroba p\u0142uc bardzo utrudnia\u0142a mu prac\u0119<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1867&#8243; _builder_version=&#8221;4.5.8&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>ci\u0119\u017cko chory na gru\u017alic\u0119 Artur Grottger zmar\u0142 13 grudnia w uzdrowisku Am\u00e9lie-les-Bains-Palalda (Francja). Narzeczona sprowadzi\u0142a zw\u0142oki artysty do Lwowa 4 lipca 1868. Artur Grottger zosta\u0142 pochowany w miejscu, kt\u00f3re podobno kiedy\u015b sam wybra\u0142 podczas wsp\u00f3lnego spaceru z narzeczon\u0105. Sze\u015b\u0107 lat po pogrzebie, lwowski rze\u017abiarz i przyjaciel malarza \u2013 Parys Filippi, wykona\u0142 pomnik, kt\u00f3ry stan\u0105\u0142 na grobie artysty.<\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;][et_pb_gallery gallery_ids=&#8221;3600,3602,3603,3604,3605,3606,3607&#8243; gallery_orderby=&#8221;rand&#8221; fullwidth=&#8221;on&#8221; hover_icon=&#8221;%%119%%&#8221; _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_gallery][et_pb_text _builder_version=&#8221;4.6.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||16px|||&#8221;]<\/p>\n<p>Cykl &#8222;Polonia&#8221;, Wikipedia<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_3,2_3&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2><strong>Ciekawostki:<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_toggle title=&#8221;Akwarela&#8221; _builder_version=&#8221;4.6.0&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#f7b100&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Aleksander Pappenheim, bawarski hrabia, odwiedzaj\u0105c jeden z lwowskich sklep\u00f3w ze sztuk\u0105, kupi\u0142 \u0142adn\u0105 akwarel\u0119, po czym zapyta\u0142 sprzedawc\u0119 o autora. Ze zdumieniem dowiedzia\u0142 si\u0119, \u017ce jest to pierwsza praca 14-letniego ch\u0142opca, Artura Grottgera. Postanowi\u0142 go pozna\u0107 \u2013 zaprzyja\u017ani\u0142 si\u0119 z m\u0142odym artyst\u0105 i zosta\u0142 jego mecenasem.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;200 ilustracji &#8221; _builder_version=&#8221;4.6.0&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;100ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#00d8bf&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Artur Grottger wykona\u0142 ponad 200 ilustracji do wiede\u0144skich czasopism. Dzi\u0119ki temu osi\u0105gn\u0105\u0142 stabilizacj\u0119 materialn\u0105 i sprowadzi\u0142 matk\u0119 i siostr\u0119 ze Lwowa do Wiednia.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Albumy &#8221; _builder_version=&#8221;4.6.0&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;100ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#0C71C3&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Artur Grottger sprzeda\u0142 prawa do reprodukcji swoich dzie\u0142 wiede\u0144skim firmom, kt\u00f3re wyda\u0142y albumy z odbitkami graficznymi. Dzi\u0119ki temu rysunki artysty znalaz\u0142y szersze grono odbiorc\u00f3w. Wydawnictwa te w kr\u00f3tkim czasie znalaz\u0142y si\u0119 w Kr\u00f3lestwie Polskim na carskim wykazie dzie\u0142 zakazanych. Spowodowa\u0142o to znacz\u0105cy wzrost ich popularno\u015bci w\u015br\u00f3d kr\u0119g\u00f3w patriotycznych. Prace te nabra\u0142y znaczenia symbolicznego, buduj\u0105c legend\u0119 Powstania Styczniowego.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Pomnik &#8221; _builder_version=&#8221;4.6.0&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;100ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#0C71C3&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Artur Grottger zosta\u0142 upami\u0119tniony przez narzeczon\u0105 i przyjaciela niezwyk\u0142ym pomnikiem: <em>\u201eNa jego kamiennej tumbie nagrobnej stan\u0105\u0142 \u00f3w pomnik, sk\u0142adaj\u0105cy si\u0119 z kilku rze\u017abiarskich element\u00f3w. G\u0142\u00f3wnym w\u015br\u00f3d nich by\u0142 pos\u0105g m\u0142odej, g\u0142\u0119boko zasmuconej kobiety o twarzy przypominaj\u0105cej oblicze Wandy, kl\u0119cz\u0105cej na wielkim g\u0142azie, obok kt\u00f3rej przysiad\u0142 kamienny sok\u00f3\u0142 o rozpostartych skrzyd\u0142ach, symbolizuj\u0105cy mi\u0142o\u015b\u0107 i wierno\u015b\u0107. Pod tymi dwiema rze\u017abami, na wspomnianym g\u0142azie widnieje owalny medalion z p\u0142askorze\u017abionym wizerunkiem Grottgera [wymodelowany przez sam\u0105 Wand\u0119, kt\u00f3ra sta\u0142a si\u0119 uzdolnion\u0105 rze\u017abiark\u0105], lira o p\u0119kni\u0119tych strunach i z\u0142amana paleta malarska &#8211; symbole przerwanej przez \u015bmier\u0107 tw\u00f3rczo\u015bci i talentu artysty, oraz trupia czaszka &#8211; symbol pami\u0119ci o owej \u015bmierci. Po lewej stronie medalionu umieszczono kamienne wyobra\u017cenie wielkiej teki rysunk\u00f3w, na ok\u0142adce kt\u00f3rej znalaz\u0142y si\u0119 tytu\u0142y g\u0142\u00f3wnych rysunkowych cykl\u00f3w Grottgera: \u201eWarszawa\u201d, \u201ePolonia\u201d, \u201eLituania\u201d, \u201eWieczory zimowe\u201d i \u201eWojna\u201d. Na epitafijnej tablicy grobowej tumby znalaz\u0142o si\u0119 imi\u0119 i nazwisko zmar\u0142ego artysty oraz u\u0142o\u017cona przez Wand\u0119 inskrypcja: \u201eNiech Ci\u0119 przyjmie Chrystus, kt\u00f3ry Ci\u0119 wezwa\u0142, a do chwa\u0142y Jego niech Ci\u0119 prowadz\u0105 anio\u0142owie\u201d. Nad g\u00f3rn\u0105 za\u015b p\u0142yt\u0105 tumby znalaz\u0142 si\u0119 jeszcze jeden napis: \u201e\u015awi\u0119tej Jego pami\u0119ci pomnik ten postawi\u0142a Wanda\u201d.\u201d<\/em> \u2013 Witold Szolgini<\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Utarczka_ze_Szwedami.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;Utarczka_ze_Szwedami&#8221; align=&#8221;right&#8221; force_fullwidth=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.8&#8243; custom_margin=&#8221;||-10%|&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;4%&#8221;][\/et_pb_image][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Utarczka ze Szwedami, Wikipedia[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.8&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2>O sztuce Artura Grottgera:<\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Artur Grottger, powstrzymany przez przyjaci\u00f3\u0142 od bezpo\u015bredniego udzia\u0142u w walkach,\u00a0 przebieg Powstania Styczniowego \u015bledzi\u0142 z Wiednia. Rysunki tworzy\u0142 na podstawie wie\u015bci sp\u0142ywaj\u0105cych z ziem polskich. By\u0107 mo\u017ce dlatego m\u00f3g\u0142 przedstawi\u0107 Powstanie Styczniowe w patetycznym, wznios\u0142ym\u00a0 i wyidealizowanym tonie. Zupe\u0142nie inaczej ni\u017c do\u015bwiadczony udzia\u0142em w powstaniu <a href=\"https:\/\/zagrajwsztuke.pl\/maksymilian-gierymski\/\" target=\"_blank\" rel=\"noopener noreferrer\"><u>Maksymilian Gierymski<\/u><\/a>.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eZosta\u0142 tedy i tragicznym walkom o wolno\u015b\u0107 wystawi\u0142 sw\u0105 sztuk\u0105 \u015bwiadectwo trwa\u0142e, najwspanialsze.\u201d\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/em><\/p>\n<p><em>\u2013 <\/em><strong>Marceli Krajewski<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Artysta potrafi\u0142 zobrazowa\u0107 kulminacyjny moment dla swojego dzie\u0142a. Wybiera\u0142 go w taki spos\u00f3b, by ogl\u0105daj\u0105cy bez przeszk\u00f3d potrafi\u0142 odczyta\u0107 sens pokazanych wydarze\u0144, a tak\u017ce dopowiedzie\u0107 sobie histori\u0119 tego, co sta\u0142o si\u0119 przed chwil\u0105 i co zdarzy si\u0119 za chwil\u0119. Efekt ten osi\u0105ga\u0142 maluj\u0105c emocje na twarzach postaci, dobieraj\u0105c gesty. Strach, obawa czy nieufno\u015b\u0107 bywa\u0142y sygnalizowane zachowaniem nie tylko ludzi, ale i zwierz\u0105t. Osi\u0105ga\u0142 w ten spos\u00f3b niezwyk\u0142\u0105 czytelno\u015b\u0107 swoich prac, co z pewno\u015bci\u0105 wp\u0142yn\u0119\u0142o na popularyzacj\u0119 jego wizji Powstania Styczniowego.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eNie pokaza\u0142 on \u015bwiatu nieprzyjaciela, wroga; ale pokaza\u0142 rzecz straszniejsz\u0105: pokaza\u0142 nieszcz\u0119\u015bcia, kl\u0119ski, zbrodnie, po kt\u00f3rych jedynie historya i ludzko\u015b\u0107 znaj\u0105 owego wroga. Pokaza\u0142 on w tym poemacie, w dalszym ci\u0105gu Varsovii: oto patrzcie, czem my jeste\u015bmy i co z nami zrobiono. Je\u017celi obcy wpatruj\u0105c si\u0119 w te obrazy, dozna wsp\u00f3\u0142czucia dla nieszcz\u0119\u015bcia, to pot\u0119pi tem samem tych, o kt\u00f3rych Grottger zawo\u0142a\u0142 by\u0142: \u201ebiada im\u201c. Dzie\u0142a Grottgera uj\u0119te w kilka seryi, organicznie duchowo z sob\u0105 powi\u0105zanych, maj\u0105 warto\u015b\u0107 monumentaln\u0105, zar\u00f3wno narodow\u0105, jak i artystyczn\u0105, zar\u00f3wno dla Polak\u00f3w, jak i dla ca\u0142ego cywilizowanego \u015bwiata. Nale\u017c\u0105 one do wielkich tragedyi serc i spo\u0142ecze\u0144stw. Ka\u017cda niemal posta\u0107 na tych obrazach jest typow\u0105, a widoki natury, lasy, ilekro\u0107 s\u0142u\u017c\u0105 jako t\u0142o, s\u0105 wspania\u0142o\u015bci niezr\u00f3wnanej.\u201d\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/em><\/p>\n<p><em>\u2013 <\/em><strong>Alfred Szczepa\u0144ski<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Artur Grottger zas\u0142yn\u0105\u0142 przede wszystkim jako tw\u00f3rca rysunkowych cykli, wykonanych w technice rysunku, czarn\u0105 kredk\u0105 ze \u015bwiat\u0142ami wydobywanymi bia\u0142\u0105 kredk\u0105. By\u0142 ilustratorem o znakomitym warsztacie rysunkowym, wspaniale oddaj\u0105cy kszta\u0142ty lini\u0105 i \u015bwiat\u0142ocieniem, buduj\u0105cym nastr\u00f3j za pomoc\u0105 bogatej gamy szaro\u015bci. Jego <em>\u00a0\u201ePolonia\u201d<\/em> to zbi\u00f3r dziewi\u0119ciu chronologicznie u\u0142o\u017conych, czarno-bia\u0142ych rysunk\u00f3w , kt\u00f3re przedstawiaj\u0105 wydarzenia na terenie Kr\u00f3lestwa Polskiego.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eZ\u0142o\u017cy\u0142em w tych robotach wszystko com my\u015bla\u0142, com czu\u0142, com nad \u017cycie ukocha\u0142\u201d\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t\u2013 <\/em><strong>Artur Grottger<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Pozegnanie_powstanca-1.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;Pozegnanie_powstanca&#8221; _builder_version=&#8221;4.5.8&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Po\u017cegnanie powsta\u0144ca, Wikipedia[\/et_pb_text][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Kolejny cykl Artura Grottgera pt. \u201e<em>Lituania\u201d<\/em>, tworzy tym razem sze\u015b\u0107 rysunk\u00f3w. \u201ePolonia\u201d i \u201eLituania\u201d po\u0142\u0105czone w jedn\u0105 ca\u0142o\u015b\u0107 nios\u0105 mocne patriotyczne przes\u0142anie. Gdyby nie przedwczesna \u015bmier\u0107 artysty, najprawdopodobniej cykl zosta\u0142by uzupe\u0142niony pokazaniem walk na terenie Ukrainy. Serie obraz\u00f3w by\u0142y okre\u015blane \u201ecudnym poematem\u201d.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eMalarz powinien by\u0107 poet\u0105, powinien tak samo idee swoje i pomys\u0142y wciela\u0107 w postacie zmys\u0142owe, widzialne, jak je poeta wciela w niewidzialny d\u017awi\u0119k s\u0142owa.\u201d\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t\u2013 <\/em><strong>Ryszard Berwi\u0144ski<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Rysuj\u0105c cykl <em>\u201eWarszawa I\u201d<\/em> Artur Grottger wiedzia\u0142, \u017ce przebieg wydarze\u0144 by\u0142 powszechnie znany i przekazywany przez pras\u0119 ca\u0142ej Europy. Nie akcentowa\u0142 wi\u0119c sensacji i zaproponowa\u0142 nowatorsk\u0105 narracj\u0119, w kt\u00f3rej wydarzenia rozgrywa\u0142y si\u0119 z punktu widzenia ich uczestnik\u00f3w.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eNie by\u0142o to malarstwo historyczne, nie by\u0142o przedstawianie fakt\u00f3w wprost, w jego g\u0142\u00f3wnych,\u00a0 najwa\u017cniejszych momentach \u2013 te zostawia artysta na boku, jako rzecz wiadom\u0105 i znan\u0105 (\u2026) Wiesz, m\u00f3wi autor widzowi, \u017ce w Warszawie wojsko strzela\u0142o do ludzi bezbronnych id\u0105cych procesj\u0105, wiesz, \u017ce wpadali do ko\u015bcio\u0142\u00f3w, bili kolbami, wywlekali do cytadeli, wiesz o co si\u0119 jedni modlili i za co drudzy prze\u015bladowali, znasz wszystkie uczucia obu stron i wszystkie ich post\u0119pki; ja wi\u0119c nie powiem ci nic ani o obchodzie Grochowskiej rocznicy, ani o pogrzebie pierwszych ofiar (\u2026); w histori\u0119 tych zdarze\u0144 wdawa\u0107 si\u0119 nie b\u0119d\u0119, tylko w pobocznych, podrz\u0119dnych, epizodycznych scenach poka\u017c\u0119 ci, co podczas tego czuli ludzie, a tym sposobem ty lepiej zrozumiesz wypadki.\u201d<\/em>\u00a0\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/p>\n<p><em>\u2013 <\/em><strong>Stanis\u0142aw Tarnowski<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p><strong><\/strong><\/p>\n<p>Artur Grottger ogranicza\u0142 si\u0119 do zobrazowania zaledwie paru postaci, a mimo to osi\u0105ga\u0142 efekt reprezentacji ca\u0142ej spo\u0142eczno\u015bci.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eCz\u0119sto jedna figura uosabia w sobie wieloramienny dramat, cz\u0119sto grupa jedna zdaj\u0105 si\u0119 malowa\u0107 ludno\u015bci tysi\u0105ce.\u201d\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/em><\/p>\n<p><em>\u2013 <\/em><strong>J\u00f3zef Ignacy Kraszewski<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.8&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; text_text_shadow_style=&#8221;preset4&#8243;]<\/p>\n<h2>Artur Grottger w Muzeach:<\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Tatarzy_w_ucieczce.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;Tatarzy_w_ucieczce&#8221; _builder_version=&#8221;4.5.8&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Tatarzy w ucieczce, Wikipedia[\/et_pb_text][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Powitanie_powstanca.jpg&#8221; alt=&#8221;Artur Grottger&#8221; title_text=&#8221;Powitanie_powstanca&#8221; _builder_version=&#8221;4.5.8&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.8&#8243; _module_preset=&#8221;default&#8221;]Powitanie powsta\u0144ca, Wikipedia[\/et_pb_text][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_blurb title=&#8221;Ukraina:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/ukraine-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li>Lw\u00f3w: Lwowska Galeria Sztuki. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eSpotkanie Jana III Sobieskiego z cesarzem Leopoldem I pod Schwechat\u201d<\/em> namalowany w 1859<\/li>\n<li><em>\u201eNa przeja\u017cd\u017cce. Portret Aleksandra Pappenheima\u201d<\/em> namalowany ok. 1860<\/li>\n<li><em>\u201eRekonesans\u201d<\/em> namalowany w 1862<\/li>\n<li><em>\u201ePortret m\u0119\u017cczyzny\u201d<\/em> bez daty<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;W\u0119gry:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/hungary-162317_640.png&#8221; alt=&#8221;jan matejko&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li>Budapeszt: Orsz\u00e1gos Magyar Sz\u00e9pm\u00fcv\u00e9szeti Muzeum. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eObraz symboliczny Polski z cyklu Polonia\u201d<\/em> namalowany w 1863<\/li>\n<li><em>\u201e\u017ba\u0142obne wie\u015bci z cyklu Polonia\u201d <\/em>namalowany w 1863<\/li>\n<li><em>\u201eObrona dworu z cyklu Polonia\u201d<\/em> namalowany w 1863<\/li>\n<li><em>\u201eSchronisko z cyklu Polonia\u201d <\/em>namalowany w 1863<\/li>\n<li><em>\u201eKucie kos z cyklu Polonia\u201d <\/em>namalowany w 1863<\/li>\n<li><em>\u201ePob\u00f3r w nocy z cyklu Polonia\u201d <\/em>namalowany w 1863<\/li>\n<li><em>\u201eCykl: Polonia (I. Karta tytu\u0142owa II. Branka III. Kucie kos IV. Bitwa V. Schronisko VI. Obrona dworu VII. Po odej\u015bciu wroga VIII. \u017ba\u0142obne wie\u015bci IX. Na pobojowisku)\u201d<\/em> namalowany w 1863<\/li>\n<li><em>\u201eNa pobojowisku z cyklu Polonia\u201d <\/em>namalowany w 1866<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;Wielka Brytania:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/flaga-uk.png&#8221; alt=&#8221;jan matejko&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li>Londyn: Victoria and Albert Museum\n<ul>\n<li>\u201e<em>Cykl: Warszawa II (I. Plac Zamkowy II. Ch\u0142op i szlachta III. Lud w ko\u015bciele IV. Wdowa V. Zamkni\u0119cie ko\u015bcio\u0142\u00f3w VI. Wi\u0119zienie ksi\u0119dza VII. Sybir)\u201d<\/em> namalowany w 1862<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_blurb title=&#8221;Polska:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.6.0&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li>Bytom: Muzeum G\u00f3rno\u015bl\u0105skie. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201ePortret hrabianki Thun\u201d<\/em> namalowany w 1860<\/li>\n<\/ul>\n<\/li>\n<li>Katowice: Muzeum \u015al\u0105skie. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201ePortret kobiety\u201d<\/em> bez daty<\/li>\n<\/ul>\n<\/li>\n<li>Krak\u00f3w: Muzeum Narodowe \u2013 Zamek Kr\u00f3lewski na Wawelu. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201ePortret Fryderyki z Maszkowskich Jakubowiczowej\u201d<\/em> namalowany w 1858<\/li>\n<li><em>\u201ePobudka\u201d <\/em>lub<em> \u201ePobudka powsta\u0144c\u00f3w\u201d<\/em> namalowany w 1858<\/li>\n<li><em>\u201eWianki\u201d<\/em> namalowany w 1859<\/li>\n<li><em>\u201eModlitwa wieczorna rolnika\u201d<\/em> namalowany w 1860<\/li>\n<li>\u201e<em>Cykl: Lituania (I. Puszcza II. Znak III. Przysi\u0119ga IV. B\u00f3j V. Duch VI. Widzenie)\u201d<\/em> namalowany w latach 1864-1866<\/li>\n<li><em>\u201eAutoportret\u201d<\/em> namalowany w 1865<\/li>\n<li><em>\u201ePortret rudow\u0142osej\u201d<\/em> namalowany w 1865<\/li>\n<li><em>\u201eOfelia\u201d<\/em> namalowany w 1865<\/li>\n<li><em>\u201eWedeta\u201d<\/em> namalowany w 1865<\/li>\n<li><em>\u201ePrzej\u015bcie przez granic\u0119\u201d <\/em>namalowany w 1865<\/li>\n<li><em>\u201ePowitanie powsta\u0144ca\u201d <\/em>namalowany w 1865<\/li>\n<li><em>\u201ePo\u017cegnanie powsta\u0144ca\u201d <\/em>namalowany w 1865-1866<\/li>\n<li><em>\u201eFryne\u201d<\/em> namalowany w 1867<\/li>\n<\/ul>\n<\/li>\n<li>\u0141\u00f3d\u017a: Muzeum Sztuki. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201ePortret klaczy w Por\u0119bie\u201d<\/em> namalowany w 1858<\/li>\n<li><em>\u201eCzytaj\u0105cy starzec\u201d<\/em> bez daty<\/li>\n<li><em>\u201ePejza\u017c\u201d<\/em> bez daty<\/li>\n<\/ul>\n<\/li>\n<li>Pozna\u0144: Muzeum Narodowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201ePoch\u00f3d na Sybir\u201d<\/em> namalowany w 1867<\/li>\n<\/ul>\n<\/li>\n<li>Tarn\u00f3w: Muzeum Okr\u0119gowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eSzlachcic pod figur\u0105\u201d <\/em>namalowany w 1866<\/li>\n<\/ul>\n<\/li>\n<li>Toru\u0144: Muzeum Okr\u0119gowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eUtarczka ze Szwedami\u201d<\/em> namalowany w 1856<\/li>\n<\/ul>\n<\/li>\n<li>Warszawa: Muzeum Narodowe \u2013 Muzeum Wojska Polskiego. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eTatarzy w ucieczce\u201d<\/em> namalowany ok. 1855<\/li>\n<li><em>\u201eUcieczka Henryka Walezego z Polski\u201d <\/em>namalowany w 1860<\/li>\n<li><em>\u201ePortret dziewczynki\u201d<\/em> namalowany w 1860<\/li>\n<li><em>\u201eAutoportret z cygarkiem\u201d<\/em> namalowany w latach 1860-1867<\/li>\n<li><em>\u201eW Saskim Ogrodzie w Warszawie\u201d <\/em>namalowany w 1863<\/li>\n<li><em>\u201ePortret Marii Sawiczewskiej, siostry artysty\u201d<\/em> namalowany ok. 1863-1864<\/li>\n<li><em>\u201ePoch\u00f3d na Sybir\u201d<\/em> namalowany w 1866<\/li>\n<li><em>\u201ePortret Klementyny z Dzieduszyckich Szembekowej-Szolc\u201d<\/em> namalowany w 1866<\/li>\n<li><em>\u201ePortret Wincentego Chochlik Wasilewskiego\u201d<\/em> namalowany w 1867<\/li>\n<li><em>\u201eAutoportret\u201d<\/em> namalowany w 1867<\/li>\n<li><em>\u201ePrzed pos\u0105giem Napoleona\u201d<\/em> namalowany w 1867<\/li>\n<li><em>\u201eJoanna d&#8217;Arc<\/em>\u201d bez daty<\/li>\n<\/ul>\n<\/li>\n<li>Wroc\u0142aw: Muzeum Narodowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li>\u201e<em>Pierwsze \u0107wiczenia (Szko\u0142a szlachcica polskiego)\u201d<\/em> namalowany w 1858<\/li>\n<li><em>\u201eAdmonicja (Szko\u0142a szlachcica polskiego)\u201d<\/em> namalowany w 1858<\/li>\n<li>\u201e<em>Wyprawa (Szko\u0142a szlachcica polskiego)\u201d<\/em> namalowany w 1858<\/li>\n<li><em>\u201eOstatnia przestroga (Szko\u0142a szlachcica polskiego)\u201d<\/em> namalowany w 1858.<\/li>\n<li><em>\u201eObywatel z Barszczowic\u201d<\/em> namalowany w 1860<\/li>\n<li><em>\u201ePortret nieznanego m\u0119\u017cczyzny\u201d<\/em> namalowany w 1860<\/li>\n<li><em>\u201eCykl: Warszawa I (I. B\u0142ogos\u0142awie\u0144stwo II. Lud w ko\u015bciele III. Ch\u0142op i szlachta IV. \u017bydzi warszawscy V. Pierwsza ofiara VI. Wdowa VII. Zamkni\u0119cie ko\u015bcio\u0142\u00f3w)\u201d<\/em> namalowany w 1861<\/li>\n<li><em>\u201ePo powstaniu (W drodze do ko\u015bcio\u0142a)\u201d<\/em> namalowany w 1864<\/li>\n<li><em>\u201eDostojnik\u201d<\/em> namalowany w 1864<\/li>\n<li><em>\u201ePopiersie kobiety\u201d<\/em> namalowany w 1864<\/li>\n<li><em>\u201ePortret dziewczynki z medalionem\u201d<\/em> namalowany w 1865<\/li>\n<li><em>\u201ePortret Jerzego Lubomirskiego\u201d<\/em> namalowany w 1866<\/li>\n<li><em>\u201eCykl: Wojna (I. P\u00f3jd\u017a ze mn\u0105 przez pad\u00f3\u0142 p\u0142aczu II. Kometa III. Losowanie rekrut\u00f3w IV. Po\u017cegnanie V. Po\u017coga VI. G\u0142\u00f3d VII. Zdrada i kara VIII. Ludzie czy szakale? IX. Ju\u017c tylko n\u0119dza X. \u015awi\u0119tokradztwo XI. Ludzko\u015bci, rodzie Kaina)\u201d<\/em> namalowany w latach 1866-1867<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;Services&#8221; _builder_version=&#8221;3.22.3&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;80px|0px|80px|0px|false|false&#8221; custom_padding_tablet=&#8221;|||&#8221; custom_padding_phone=&#8221;0px|20%|0px||true&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;200px&#8221; bottom_divider_flip=&#8221;horizontal&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; module_class=&#8221; et_pb_row_fullwidth&#8221; _builder_version=&#8221;3.25&#8243; width=&#8221;89%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|desktop&#8221; max_width=&#8221;89%&#8221; max_width_tablet=&#8221;80%&#8221; max_width_phone=&#8221;&#8221; max_width_last_edited=&#8221;on|desktop&#8221; make_fullwidth=&#8221;on&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.8&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2>Artur Grottger (1837-1867)<\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_counters _builder_version=&#8221;4.6.0&#8243; percent_font=&#8221;||||||||&#8221;][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.6.0&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]CZO\u0141OWY PRZEDSTAWICIEL ROMANTYZMU W MALARSTWIE POLSKIM:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.6.0&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]ZNANY ILUSTRATOR:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.6.0&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]ZNAKOMITY RYSOWNIK:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.6.0&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]PRZEDSTAWICIEL MALARSTWA HISTORYCZNEGO:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.6.0&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; 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_module_preset=&#8221;default&#8221;]Puszcza z cyklu Lithuania, Wikipedia[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Call to action&#8221; _builder_version=&#8221;4.5.7&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/brush-96240_1920.jpg&#8221; parallax=&#8221;on&#8221; custom_padding=&#8221;16vw||7vw||false|false&#8221; custom_padding_tablet=&#8221;100px||100px||true&#8221; custom_padding_phone=&#8221;||||true&#8221; top_divider_style=&#8221;ramp2&#8243; top_divider_color=&#8221;#ffffff&#8221; top_divider_height=&#8221;250px&#8221; top_divider_flip=&#8221;vertical&#8221; top_divider_height_tablet=&#8221;150px&#8221; top_divider_height_phone=&#8221;110px&#8221; top_divider_height_last_edited=&#8221;on|phone&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row module_class=&#8221; 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header_3_font_size=&#8221;24px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; text_orientation=&#8221;center&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;850px&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; text_font_size_last_edited=&#8221;off|desktop&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;32px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; header_3_font_size_tablet=&#8221;16px&#8221; header_3_font_size_phone=&#8221;14px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; text_text_shadow_style=&#8221;preset3&#8243; text_text_shadow_horizontal_length=&#8221;0.1em&#8221; text_text_shadow_vertical_length=&#8221;0.1em&#8221;]<\/p>\n<h3>CZAS NA ZABAW\u0118!<\/h3>\n<h2>GOT\u00d3W NA GR\u0118?<\/h2>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMxNjQifX0=@&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;GRAM!&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.5.7&#8243; _dynamic_attributes=&#8221;button_url&#8221; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;26px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#E02B20&#8243; button_border_width=&#8221;0px&#8221; button_border_radius=&#8221;37px&#8221; button_letter_spacing=&#8221;7px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_vertical=&#8221;4px&#8221; box_shadow_blur=&#8221;14px&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artur Grottger (1837-1867) - a romantic knight of national art. Artur Grottger - a leading representative of Romanticism in Polish painting.<\/p>","protected":false},"author":1,"featured_media":3587,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1920","footnotes":""},"categories":[74,164,133,252,99,251],"tags":[77,255,136,254,256,253],"class_list":["post-3585","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-batalista","category-ilustrator","category-karykaturzysta","category-przedstawiciel-malarstwa-historycznego","category-romantyzm","category-znakomity-rysownik","tag-batalista","tag-czolowy-przedstawiciel-romantyzmu-w-malarstwie-polskim","tag-karykaturzysta","tag-przedstawiciel-malarstwa-historycznego","tag-znakomity-rysownik","tag-znany-ilustrator","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Artur Grottger - Galeria Marze\u0144 Artur Grottger - Artur Grottger<\/title>\n<meta name=\"description\" content=\"Artur Grottger (1837-1867) \u2013 romantyczny rycerz narodowej sztuki. 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