{"id":3450,"date":"2020-08-24T11:56:31","date_gmt":"2020-08-24T10:56:31","guid":{"rendered":"https:\/\/zagrajwsztuke.pl\/?p=3450"},"modified":"2020-09-01T20:09:49","modified_gmt":"2020-09-01T19:09:49","slug":"andrzej-wroblewski","status":"publish","type":"post","link":"https:\/\/zagrajwsztuke.pl\/en\/andrzej-wroblewski\/","title":{"rendered":"Andrzej Wr\u00f3blewski"},"content":{"rendered":"\n[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.5.7&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/andrzej-wroblewski-4.png&#8221; parallax=&#8221;on&#8221; custom_padding=&#8221;7vw||10vw||false|false&#8221; custom_padding_tablet=&#8221;100px||100px||true&#8221; custom_padding_phone=&#8221;||||true&#8221; bottom_divider_style=&#8221;ramp2&#8243; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; 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letter-spacing: 0.5px;\">Andrzej Wr\u00f3blewski<\/strong><\/h3>\n<h3><strong style=\"font-family: Roboto, Helvetica, Arial, Lucida, sans-serif; font-size: 24px;\">\u2013 patron artyst\u00f3w zbuntowanych<\/strong><\/h3>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Get Started&#8221; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;0px||||false|false&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row column_structure=&#8221;2_3,1_3&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/andrzej-wroblewski-1.png&#8221; alt=&#8221;Andrzej Wr\u00f3blewski&#8221; title_text=&#8221;andrzej-wroblewski-1&#8243; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.7&#8243; max_width=&#8221;1100px&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;-8vw|||&#8221; custom_margin_tablet=&#8221;0vw|||&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;1%&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]<figure class=\"caption\">\n<figcaption>\n<figure class=\"caption\">\n<figcaption>Andrzej Wr\u00f3blewski, &#8222;Obraz na temat okropno\u015bci wojennych (Ryby bez g\u0142\u00f3w)&#8221;, olej na p\u0142\u00f3tnie, 1948, Muzeum Lubelskie, Lublin, \u0179r\u00f3d\u0142o:\u00a0https:\/\/culture.pl\/pl\/tworca\/andrzej-wroblewski<\/figcaption>\n<\/figure>\n<\/figcaption>\n<\/figure>[\/et_pb_text][et_pb_blurb title=&#8221;MALARZ PROTESTU&#8221; 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use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;][\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<h2>Andrzej Wr\u00f3blewski (1927-1957) <\/h2>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]Jego biografia nadaje si\u0119 na scenariusz filmowy. \u017by\u0142 tylko 29 lat, ale zd\u0105\u017cy\u0142 pope\u0142ni\u0107 kilka politycznych g\u0142upstw i namalowa\u0107 kilkana\u015bcie arcydzie\u0142. Tragicznie uwik\u0142any w problemy epoki \u2013 wierzy\u0142 w skuteczno\u015b\u0107 sztuki. Jej celem nie mia\u0142o by\u0107 pi\u0119kno, lecz prawda. By\u0142 malarzem \u017carliwym i kontrowersyjnym. Jedni widzieli w nim cynika, inni proroka. By\u0142 romantykiem, artyst\u0105 z poczuciem misji. Wierzy\u0142, \u017ce sztuka mo\u017ce zmieni\u0107 \u015bwiat na lepszy, pom\u00f3c cz\u0142owiekowi w znoszeniu przeciwno\u015bci \u017cycia. Dla kilku pokole\u0144 polskich malarzy zosta\u0142 postaci\u0105 kultow\u0105, przyk\u0142adem tw\u00f3rcy, kt\u00f3ry potrafi \u0142\u0105czy\u0107 najwy\u017cszy artyzm z zaanga\u017cowaniem w sprawy swojego czasu.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<h2>Andrzej Wr\u00f3blewski<\/h2>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_blurb title=&#8221;1927&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%169%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>15 czerwca w Wilnie przyszed\u0142 na \u015bwiat Andrzej Wr\u00f3blewski, syn Krystyny (uzdolniona graficzka) i Bronis\u0142awa (profesor prawa na Uniwersytecie im. Stefana Batorego w Wilnie, gdzie 4-krotnie sprawowa\u0142 funkcj\u0119 rektora). Dom Wr\u00f3blewskich by\u0142 miejscem spotka\u0144 artyst\u00f3w wile\u0144skich. Andrzej Wr\u00f3blewski, pod okiem matki, podj\u0105\u0142 pierwsze rysunkowe pr\u00f3by. W ilustracjach do historycznych powie\u015bci G\u0105siorowskiego i do <em>\u201eOgniem i mieczem\u201d <\/em>pojawi\u0142y si\u0119 konie, u\u0142ani, Kozacy. W dow\u00f3d uznania, przyjaciel domu <a href=\"https:\/\/zagrajwsztuke.pl\/wojciech-kossak\/\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"Wojciech Kossak \"><u>Wojciech Kossak<\/u> <\/a>(1856-1942) obdarowa\u0142 ma\u0142ego artyst\u0119 w\u0142asnym rysunkiem g\u0142owy konia.<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1941&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>26 sierpnia, w czasie brutalnej rewizji Gestapo w domu Wr\u00f3blewskich, ojciec Andrzeja umiera na zawa\u0142 serca na oczach 14-letniego syna. To tragiczne prze\u017cycie naznaczy\u0142o go na ca\u0142e \u017cycie i zawa\u017cy\u0142o na p\u00f3\u017aniejszej tw\u00f3rczo\u015bci<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1945&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%72%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>w grupie repatriant\u00f3w z Wilna, razem z matk\u0105 i starszym bratem Andrzej Wr\u00f3blewski przyjecha\u0142 wiosn\u0105 do Krakowa, w lipcu zda\u0142 matur\u0119, a na jesieni rozpocz\u0105\u0142 studia na Wydziale Malarskim w Akademii Sztuk Pi\u0119knych i jednocze\u015bnie ucz\u0119szcza\u0142 na histori\u0119 sztuki na Uniwersytecie Jagiello\u0144skim<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1947&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>p\u00f3\u0142roczny pobyt w Holandii, podr\u00f3\u017c po Europie<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1948&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%45%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>dyplom historii sztuki na Uniwersytecie Jagiello\u0144skim, jego praca pt. <em>\u201ePocz\u0105tki krajobrazu w sztuce niderlandzkiej XV-XVII wieku\u201d<\/em> zosta\u0142a oceniona bardzo wysoko, jednak Andrzej Wr\u00f3blewski nie zdecydowa\u0142 si\u0119 na karier\u0119 naukow\u0105. Z ciekawo\u015bci\u0105 obserwowa\u0142 grup\u0119 starszych koleg\u00f3w, skupionych wok\u00f3\u0142 <a href=\"https:\/\/zagrajwsztuke.pl\/tadeusz-kantor\/\" target=\"_blank\" rel=\"noopener noreferrer\"><u>Tadeusza Kantora<\/u><\/a> (1915-1990) i z zapa\u0142em w\u0142\u0105czy\u0142 si\u0119 do przygotowa\u0144 I Wystawy Sztuki Nowoczesnej<\/p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/andrzej-wroblewski-4.png&#8221; alt=&#8221;Andrzej Wr\u00f3blewski &#8221; title_text=&#8221;andrzej-wroblewski-4&#8243; align=&#8221;right&#8221; force_fullwidth=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.7&#8243; custom_margin=&#8221;||-10%|&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;4%&#8221;][\/et_pb_image][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]<p><span>\u00a0<\/span><span>Andrzej Wr\u00f3blewski, &#8222;Szofer niebieski&#8221;, 1948 \/ &#8222;Likwidacja getta&#8221;, 1949, olej na p\u0142\u00f3tnie, kolekcja prywatna, \u017ar\u00f3d\u0142o:\u00a0https:\/\/culture.pl\/<\/span><\/p>[\/et_pb_text][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_blurb title=&#8221;1949&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>namalowa\u0142 <em>\u201eRozstrzelania\u201d<\/em><\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1950&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%135%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>podj\u0105\u0142 prac\u0119 jako asystent na Wydziale Malarstwa Akademii Sztuk Pi\u0119knych<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1950-1953&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%122%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>to najgorszy mroczny okres w tw\u00f3rczo\u015bci i \u017cyciu malarza. Zd\u0105\u017cy\u0142 si\u0119 sk\u0142\u00f3ci\u0107 niemal z ca\u0142ym \u015brodowiskiem: \u201enowocze\u015bni\u201d z kr\u0119gu Kantora uznawali go za zdrajc\u0119, profesorowie za drapie\u017cnego, prymitywnego doktrynera.<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1953&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>Andrzej Wr\u00f3blewski o\u017ceni\u0142 si\u0119 z poznan\u0105 na wakacjach Teres\u0105 Reutt, absolwentk\u0105 filozofii i filologii klasycznej. Ta nieprzeci\u0119tna kobieta o silnej osobowo\u015bci mia\u0142a na niego ogromny wp\u0142yw. Wkr\u00f3tce mieli tr\u00f3jk\u0119 dzieci (syna i dwie bli\u017aniaczki).<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1956&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>podr\u00f3\u017c do Jugos\u0142awii sta\u0142a si\u0119 dla Andrzeja Wr\u00f3blewskiego du\u017cym wydarzeniem, jeszcze raz odkry\u0142 tam sztuk\u0119 prymitywn\u0105, ludow\u0105, by\u0142 r\u00f3wnie\u017c pod wra\u017ceniem oryginalnej rze\u017aby serbskich nagrobk\u00f3w. Po powrocie do kraju wydawa\u0142 si\u0119 pe\u0142en energii, jakby od nowa odzyska\u0142 wiar\u0119 w siebie. W tym te\u017c roku namalowa\u0142 \u201e<em>Ukrzes\u0142owienia\u201d, <\/em>a jego pierwsza wystawa indywidualna mia\u0142a miejsce w warszawskim Salonie <em>\u201ePo prostu\u201d. <\/em>Zorganizowa\u0142 j\u0105 przyjaciel artysty, Andrzej Wajda, stoj\u0105cy w\u00f3wczas na progu mi\u0119dzynarodowej kariery filmowej<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1957&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<p>wiosn\u0105 Andrzej Wr\u00f3blewski wyje\u017cd\u017ca na wycieczk\u0119 w Tatry. 23 marca le\u015bnicy znale\u017ali jego cia\u0142o przy drodze do Morskiego Oka. Bezpo\u015bredni\u0105 przyczyn\u0105 \u015bmierci by\u0142 prawdopodobnie atak epilepsji. Tragiczna \u015bmier\u0107 Andrzeja Wr\u00f3blewskiego przyczyni\u0142a si\u0119 do wzrostu legendy Wr\u00f3blewskiego \u2013 samotnego, zbuntowanego artysty.<\/p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<h2><strong>Ciekawostki:<\/strong><\/h2>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_toggle title=&#8221;Druga strona obrazu&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#f7b100&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<p>Andrzej Wr\u00f3blewski cz\u0119sto malowa\u0142 obrazy dwustronnie, z oszcz\u0119dno\u015bci. Np. na odwrocie <em>\u201eNieba\u201d<\/em> widnieje b\u0142\u0119kitny, realistyczny tramwaj.<\/p>[\/et_pb_toggle][et_pb_toggle title=&#8221;\u201eTre\u015b\u0107 uczuciowa rewolucji\u201d&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;100ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#00d8bf&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<p>Obraz Andrzeja Wr\u00f3blewskiego <em>\u201eTre\u015b\u0107 uczuciowa rewolucji\u201d<\/em> zosta\u0142 wybrany przez <a href=\"https:\/\/zagrajwsztuke.pl\/tadeusz-kantor\/\" target=\"_blank\" rel=\"noopener noreferrer\"><u>Kantora<\/u> <\/a>i powieszony nad wej\u015bciem na ekspozycj\u0119. Wed\u0142ug \u015bwiadk\u00f3w mia\u0142 by\u0107 przekazicielem idei I Wystawy Sztuki Nowoczesnej.<\/p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Szofer po prawej stronie&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;200ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#1c58ef&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<p>W obrazie <em>\u201eSzofer niebieski\u201d<\/em> fotel szofera znajduje si\u0119 po prawej stronie, co dawa\u0142o do my\u015blenia interpretatorom. Jednak tu akurat Andrzej Wr\u00f3blewski by\u0142 realist\u0105. Po wojnie w Polsce je\u017adzi\u0142o du\u017co angielskich samochod\u00f3w z demobilu, gdzie kierownica by\u0142a umieszczona z prawej strony.<\/p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Myszy&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#f7b100&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<p><em>\u201eRozstrzelanie pozna\u0144skie\u201d <\/em>by\u0142o malowane na Festiwal Szk\u00f3\u0142 Artystycznych w Poznaniu. Obraz si\u0119 nie spodoba\u0142, a nawet sta\u0142 si\u0119 obiektem agresji \u2013 kto\u015b poci\u0105\u0142 no\u017cem posta\u0107 \u017cydowskiej staruszki. Zniszczone p\u0142\u00f3tno przele\u017ca\u0142o 45 lat zrolowane w piwnicy, zawilgocone i nadgryzione przez myszy. Odnale\u017ali je pracownicy Galerii Zderzak, zlecili konserwacj\u0119 i udost\u0119pnili publiczno\u015bci.<\/p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Wajda&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;100ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#00d8bf&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<p>Andrzej Wajda, kt\u00f3ry nazywa\u0142 Andrzeja Wr\u00f3blewskiego swoim duchowym przyw\u00f3dc\u0105, pokazywa\u0142 jego obrazy w wielu swoich filmach: \u201e<em>Rozstrzelanie\u201d<\/em> w <em>\u201eMi\u0142o\u015bci dwudziestolatk\u00f3w\u201d<\/em> (1962), <em>\u201eObraz na temat okropno\u015bci wojennych\u201d<\/em> w <em>\u201eLotnej\u201d<\/em> (1959), a w filmie <em>\u201eWszystko na sprzeda\u017c\u201d<\/em> (1968) g\u0142\u00f3wny bohater zwiedza ca\u0142\u0105 wystaw\u0119 Wr\u00f3blewskiego. Nazwisko artysty jednak z ekranu nie pada, a jedynie towarzysz\u0105ca bohaterowi \u017cona komentuje: <em>\u201eWidzia\u0142am te obrazy. Takie okrutne\u201d<\/em>. Mo\u017cna powiedzie\u0107, \u017ce mi\u0119dzynarodowa, cho\u0107 jeszcze niesygnowana obecno\u015b\u0107 Andrzeja Wr\u00f3blewskiego zaczyna si\u0119 w\u0142a\u015bnie w tym momencie \u2013 na ekranach sal kinowych presti\u017cowych festiwali filmowych, na kt\u00f3re zapraszano filmy Andrzeja Wajdy.<\/p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Film&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;200ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#1c58ef&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<p>Film kr\u00f3tkometra\u017cowy o Andrzeju Wr\u00f3blewskim <em>\u201eOtwarcie i zamkni\u0119cie oczu\u201d<\/em> zrealizowa\u0142 w 1957 Konrad Na\u0142\u0119cki (re\u017cyser wielu film\u00f3w o sztuce i tw\u00f3rca kultowego serialu <em>\u201eCzterej pancerni i pies\u201d<\/em>). <em>\u201eWiersze i tytu\u0142 wybrali\u015bmy wsp\u00f3lnie z Tadeuszem. (\u2026) Znane mi by\u0142o pokrewie\u0144stwo poezji R\u00f3\u017cewicza i malarstwa Andrzeja \u2013 postanowi\u0142em je po\u0142\u0105czy\u0107. Ale dopiero na ekranie sam zobaczy\u0142em t\u0119 przedziwn\u0105 zgodno\u015b\u0107 i to\u017csamo\u015b\u0107 tre\u015bci&#8221;<\/em> \u2013 Konrad Na\u0142\u0119cki na konferencji w Rogalinie w 1967 r.<\/p>[\/et_pb_toggle][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/andrzej-wroblewski-2.png&#8221; alt=&#8221;Andrzej Wr\u00f3blewski &#8221; title_text=&#8221;andrzej-wroblewski-2&#8243; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]<figure class=\"caption\">\n<figcaption>Andrzej Wr\u00f3blewski, &#8222;Rozstrzelanie surrealistyczne&#8221; (Rozstrzelanie VIII, Egzekucja), olej na p\u0142\u00f3tnie, 1949, <span>\u017ar\u00f3d\u0142o:\u00a0https:\/\/culture.pl\/<\/span><\/figcaption>\n<\/figure>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<h2>O sztuce Andrzeja Wr\u00f3blewskiego:<\/h2>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<p>Potrafi\u0142 malowa\u0107 liryczne, subtelne abstrakcje, ale tak\u017ce obrazy brzydkie, okrutne, \u201e<em>przykre jak zapach trupa\u201d<\/em> \u2013 jak sam m\u00f3wi\u0142. Po latach w\u0142a\u015bnie te p\u0142\u00f3tna maj\u0105 w sobie si\u0142\u0119 i pi\u0119kno uog\u00f3lnienia. <em>\u201eRozstrzelania\u201d <\/em>\u2013 to jedno z najbardziej wstrz\u0105saj\u0105cych \u015bwiadectw czasu wojny; <em>\u201eUkrzes\u0142owienia\u201d<\/em> \u2013 dobitna metafora rzeczywisto\u015bci zdegradowanej, ubezw\u0142asnowolnionej. Przyk\u0142ad Andrzeja Wr\u00f3blewskiego uczy, \u017ce w sztuce s\u0105 czasem sprawy wa\u017cniejsze ni\u017c pi\u0119kno i subtelno\u015b\u0107 formy. Artysta mia\u0142 g\u0142\u0119bokie przekonanie, \u017ce celem sztuki jest zmienianie \u015bwiata, wp\u0142ywanie na odbiorc\u0119.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eNasza m\u0142odzie\u0144cza t\u0119sknota do wyra\u017cenia siebie zderzy\u0142a si\u0119 z prawdziwymi trudno\u015bciami. Malarstwo kolorystyczne nie by\u0142o naszym \u015bwiatem. Trzy jab\u0142ka, cebula i talerzyk, w kt\u00f3rych C<\/em><em>\u00e9<\/em><em>zanne zawar\u0142 tajemnic\u0119 istnienia ,stawa\u0142y si\u0119 nam z dnia na dzie\u0144 coraz bardziej obce i oboj\u0119tne. Widzieli\u015bmy wojn\u0119 z bliska\u2026 Byli\u015bmy uczestnikami wielkich przemian. Poznali\u015bmy niesprawiedliwo\u015b\u0107 i upodlenie. Czy martwa natura przedstawiaj\u0105ca salaterk\u0119 wi\u015bni mo\u017ce to wyrazi\u0107? To by\u0142o nasze pytanie\u201d\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/em><\/p>\n<p>\u2013 <strong>Andrzej Wajda<\/strong> (1926-2016), kolega Andrzeja Wr\u00f3blewskiego<\/p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<p><em>\u201eSzofer niebieski\u201d<\/em> jest jednym z najpi\u0119kniejszych, najbardziej przejmuj\u0105cych obraz\u00f3w Andrzeja Wr\u00f3blewskiego. Widoczny we wn\u0119trzu b\u0142\u0119kitnej szoferki kierowca jedzie przez wyludniony, martwy pejza\u017c: za oknem wida\u0107 za\u015bnie\u017cone pola pod czerwonym niebem i drog\u0119 biegn\u0105c\u0105 w niesko\u0144czono\u015b\u0107. Milcz\u0105cy szofer jad\u0105cy przez zamar\u0142y pejza\u017c poci\u0105ga nas za sob\u0105; chc\u0105c nie chc\u0105c pod\u0105\u017camy za nim \u2013 jak on, wpatrzeni hipnotycznie w horyzont. Jest jak tajemniczy Przewodnik, wsp\u00f3\u0142czesny Charon, kt\u00f3ry przewozi nas na drug\u0105 stron\u0119\u2026<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eTraktuj\u0105c o podr\u00f3\u017cy cz\u0142owieka w przeznaczenie, temacie starym jak \u015bwiat, zdoby\u0142 si\u0119 Wr\u00f3blewski na \u015bwietn\u0105, now\u0105 metafor\u0119. Rozszyfrowa\u0107 mo\u017ce j\u0105 ka\u017cdy. Artysta wzywa widza do uczestniczenia, likwiduje dystans, namawia do identyfikacji z bohaterem obrazu. To ostatnie nie jest nawet zbyt trudne; nie znamy przecie\u017c twarzy samotnego kierowcy\u201d<\/em>\u00a0\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/p>\n<p>\u2013 <strong>Jerzy Stajuda<\/strong><\/p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<p>Ulubion\u0105 technik\u0105 Andrzeja Wr\u00f3blewskiego by\u0142 gwasz: akwarela zmieszana z kryj\u0105c\u0105 biel\u0105, daj\u0105ca efekt st\u0142umionej, pastelowej gamy barwnej. Artysta pozostawi\u0142 \u2013 opr\u00f3cz obraz\u00f3w olejnych \u2013 ponad 1500 gwaszy, akwareli, rysunk\u00f3w i monotypii. Prace na papierze by\u0142y nie tylko rodzajem intymnego notatnika, <em>\u201epokornym ogl\u0105daniem \u017cycia\u201d<\/em>, jak m\u00f3wi\u0142 \u2013 ale tak\u017ce swoistym laboratorium formy. Inna technika wymusza\u0142a szybsze decyzje, umo\u017cliwia\u0142a kolorystyczne i kompozycyjne eksperymenty. W tych pracach wida\u0107 ca\u0142y warsztat malarza, notowane \u201ena gor\u0105co\u201d pomys\u0142y i koncepcje.<\/p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/andrzej-wroblewski-3.png&#8221; alt=&#8221;Andrzej Wr\u00f3blewski &#8221; title_text=&#8221;andrzej-wroblewski-3&#8243; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]<figure class=\"caption\">\n<figcaption>Andrzej Wr\u00f3blewski, &#8222;Rozstrzelanie II, tzw. pozna\u0144skie &#8222;, fot. dzi\u0119ki uprzejmo\u015bci Fundacji Andrzeja Wr\u00f3blewskiego,\u00a0<span>\u017ar\u00f3d\u0142o:\u00a0https:\/\/culture.pl\/<\/span><\/figcaption>\n<\/figure>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<p><em>\u201eUkrzes\u0142owienie\u201d<\/em> \u2013 neologizm przywo\u0142uje na my\u015bl \u201eukrzy\u017cowanie\u201d, jest sugesti\u0105 m\u0119cze\u0144stwa. Tymczasem tematem obrazu jest zwyk\u0142e oczekiwanie. \u017bycie w szarej, zgrzebnej realno\u015bci PRL-u jawi\u0142o si\u0119 Andrzejowi Wr\u00f3blewskiemu jako gigantyczna, og\u00f3lnonarodowa poczekalnia; przedsionek, gdzie zwyk\u0142ym ludziom przypisano role wiecznych petent\u00f3w, gdzie ci\u0105gle trzeba na co\u015b czeka\u0107, a pokorna cierpliwo\u015b\u0107 zyskuje wymiar heroicznej cnoty.<\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eWr\u00f3blewski jest chyba jedynym artyst\u0105, kt\u00f3remu uda\u0142o si\u0119 przekaza\u0107 odcz\u0142owieczaj\u0105c\u0105, uprzedmiotawiaj\u0105c\u0105 i niszczycielsk\u0105 groz\u0119 szarej codzienno\u015bci realnego socjalizmu\u201d<\/em>\u00a0\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/p>\n<p>\u2013 <strong>Kinga<\/strong> <strong>Kawalerowicz<\/strong>\u00a0<\/p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<p>Andrzej Wr\u00f3blewski jest w polskiej sztuce legend\u0105. Tragiczna \u015bmier\u0107, sk\u0142\u00f3cenie ze \u015bwiatem i obrazy, kt\u00f3rych nie spos\u00f3b zapomnie\u0107 \u2013 sprzyja\u0142y powstaniu kultu malarza. Do jego tw\u00f3rczo\u015bci nawi\u0105zywa\u0142y kolejne pokolenia artyst\u00f3w \u201eNowa Figuracja\u201d, grupa WPROST, a w latach 90. \u2013 warszawska \u201eGruppa\u201d, np. Jaros\u0142aw Modzelewski (ur. 1955). Andrzej Wr\u00f3blewski imponuje swoim radykalizmem, pasj\u0105, ale tak\u017ce talentem, umiej\u0119tno\u015bci\u0105 panowania nad form\u0105.<\/p>\n\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t<em>\u201eAndrzej Wr\u00f3blewski \u2013 to jedna z legend polskiej sztuki powojennego p\u00f3\u0142wiecza, patron m\u0142odych artyst\u00f3w nie pogodzonych ze \u015bwiatem\u201d<\/em>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t\n<p>&#8211; <strong>Andrzej Os\u0119ka<\/strong><\/p>\n<p><em>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t\u201eTen zbuntowany, a potem targany sprzeczno\u015bciami m\u0142ody cz\u0142owiek staje si\u0119 dla m\u0142odej generacji czym\u015b w rodzaju proroka. Przyk\u0142adu. Nakazu\u201d<\/em>\u00a0\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t<\/p>\n<p>\u2013<strong> Ignacy Witz<\/strong><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; text_text_shadow_style=&#8221;preset4&#8243;]<h2>Andrzej Wr\u00f3blewski  w Muzeach:<\/h2>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_blurb title=&#8221;Warszawa: Muzeum Narodowe. Mo\u017cna tam podziwia\u0107 m. in.:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<ul>\n<li><em>\u201eNiebo\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eZiemia\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eSzofer\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eRozstrzelanie surrealistyczne\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eRozstrzelanie na \u015bcianie\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201ePoczekalnia \u2013 bogaci i biedni\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eFajrant w Nowej Hucie\u201d <\/em>namalowany w 1954<\/li>\n<li><em>\u201eMatki\u201d <\/em>namalowany w 1955<\/li>\n<li><em>\u201eKolejka trwa\u201d <\/em>namalowany w 1956<\/li>\n<li><em>\u201ePranie\u201d <\/em>namalowany w 1956<\/li>\n<\/ul>\n<p>&nbsp;<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;Pozna\u0144: Muzeum Narodowe. Mo\u017cna tam podziwia\u0107 m. in.:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<ul>\n<li><em>\u201ePla\u017ca\u201d <\/em>namalowany w 1955<\/li>\n<li><em>\u201eTre\u015b\u0107 uczuciowa rewolucji\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eSzofer niebieski\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eRozstrzelanie I\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eRozstrzelanie z ch\u0142opczykiem\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eDworzec na ziemiach odzyskanych\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eG\u0142owa z literami\u201d <\/em>namalowany w 1957<\/li>\n<\/ul>\n<p>&nbsp;<\/p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_blurb title=&#8221;Rosja:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/flaga-rosja.png&#8221; alt=&#8221;Jacek Malczewski&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<ul>\n<li>Moskwa: Muzeum Puszkina<\/li>\n<\/ul>[\/et_pb_blurb][et_pb_blurb title=&#8221;Krak\u00f3w: Muzeum Narodowe \u2013 Archiwum ASP \u2013 Galeria Zderzak \u2013 Muzeum Historyczne. Miasta Krakowa. Mo\u017cna tam podziwia\u0107 m. in.:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||2px|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<ul>\n<li><em>\u201eNiebo nad g\u00f3rami\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eZatopione Miasto\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eZatopione miasto \u2013 studium\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eCz\u0142owiek-Abstrakcja\u201d <\/em>namalowany w 1948-49<\/li>\n<li><em>\u201eDziecko z zabit\u0105 matk\u0105\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eMatka z zabitym dzieckiem\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eRozstrzelanie pozna\u0144skie\u201d <\/em>namalowany w 1949<\/li>\n<li><em>\u201eKitek i ludzie\u201d <\/em>namalowany w 1955-56<\/li>\n<li><em>\u201eMuzeum\u201d <\/em>namalowany w 1956<\/li>\n<li><em>\u201eKitek przy oknie\u201d <\/em>namalowany w 1956<\/li>\n<li>\u201e<em>Ukrzes\u0142owienie\u201d <\/em>namalowany w 1956<\/li>\n<li><em>\u201eG\u0142owa m\u0119\u017cczyzny\u201d <\/em>namalowany w 1957<\/li>\n<\/ul>\n<p>&nbsp;<\/p>[\/et_pb_blurb][et_pb_blurb title=&#8221;Inne miasta Polski:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<ul>\n<li>Gorz\u00f3w: Wielkopolskie Muzeum Okr\u0119gowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eG\u0142owa m\u0119\u017cczyzny na czerwonym tle\u201d <\/em>namalowany w 1957<\/li>\n<\/ul>\n<\/li>\n<li>Katowice: Muzeum \u015al\u0105skie. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eAbstrakcja geometryczna szara\u201d <\/em>namalowany w 1948<\/li>\n<\/ul>\n<\/li>\n<li>Lublin: Muzeum Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eObraz na temat okropno\u015bci wojennych\u201d <\/em>namalowany w 1948<\/li>\n<\/ul>\n<\/li>\n<li>\u0141\u00f3d\u017a: Muzeum Sztuki. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eS\u0142o\u0144ce i inne gwiazdy\u201d <\/em>namalowany w 1948<\/li>\n<li><em>\u201eZakochani\u201d <\/em>namalowany w 1959-57<\/li>\n<\/ul>\n<\/li>\n<li>Radom: Muzeum Okr\u0119gowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li>\u201e<em>Sklepikarz\u201d <\/em>namalowany w 1949<\/li>\n<\/ul>\n<\/li>\n<li>Toru\u0144: Muzeum Okr\u0119gowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eNagrobek kobieciarza\u201d <\/em>namalowany w 1956<\/li>\n<\/ul>\n<\/li>\n<li>Wroc\u0142aw: Muzeum Narodowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eCie\u0144 Hiroszimy\u201d <\/em>namalowany w 1957<\/li>\n<\/ul>\n<\/li>\n<li>Bydgoszcz: Muzeum Okr\u0119gowe<\/li>\n<\/ul>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;Services&#8221; _builder_version=&#8221;3.22.3&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;80px|0px|80px|0px|false|false&#8221; custom_padding_tablet=&#8221;|||&#8221; custom_padding_phone=&#8221;0px|20%|0px||true&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;200px&#8221; bottom_divider_flip=&#8221;horizontal&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; module_class=&#8221; et_pb_row_fullwidth&#8221; _builder_version=&#8221;3.25&#8243; width=&#8221;89%&#8221; width_tablet=&#8221;80%&#8221; 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_module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_counters _builder_version=&#8221;4.5.7&#8243; percent_font=&#8221;||||||||&#8221;][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]MALARZ PROTESTU:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]POSTA\u0106 KULTOWA:[\/et_pb_counter][et_pb_counter percent=&#8221;95&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]MALARSTWO SOCREALISTYCZNE:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]FILMOWO\u015a\u0106 OBRAZU:[\/et_pb_counter][\/et_pb_counters][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; 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max_width=&#8221;89%&#8221; max_width_tablet=&#8221;80%&#8221; max_width_phone=&#8221;&#8221; max_width_last_edited=&#8221;on|desktop&#8221; custom_margin_phone=&#8221;|||&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;|||&#8221; make_fullwidth=&#8221;on&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;50px&#8221; header_2_line_height=&#8221;1.4em&#8221; header_3_font=&#8221;Roboto|700||on|||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#ffffff&#8221; header_3_font_size=&#8221;24px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; text_orientation=&#8221;center&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;850px&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; text_font_size_last_edited=&#8221;off|desktop&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;32px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; header_3_font_size_tablet=&#8221;16px&#8221; header_3_font_size_phone=&#8221;14px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; text_text_shadow_style=&#8221;preset3&#8243; text_text_shadow_horizontal_length=&#8221;0.1em&#8221; text_text_shadow_vertical_length=&#8221;0.1em&#8221;]<h3>CZAS NA ZABAW\u0118!<\/h3>\n<h2>GOT\u00d3W NA GR\u0118?<\/h2>[\/et_pb_text][et_pb_button button_url=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMxNjQifX0=@&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;GRAM!&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.5.7&#8243; _dynamic_attributes=&#8221;button_url&#8221; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;26px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#E02B20&#8243; button_border_width=&#8221;0px&#8221; button_border_radius=&#8221;37px&#8221; button_letter_spacing=&#8221;7px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_vertical=&#8221;4px&#8221; box_shadow_blur=&#8221;14px&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p>Andrzej Wr\u00f3blewski (1927-1957) - patron of rebellious artists. Andrzej Wr\u00f3blewski - painter of protest, cult figure.<\/p>","protected":false},"author":1,"featured_media":3456,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1920","footnotes":""},"categories":[97,181,179,180],"tags":[178,177,175,176],"class_list":["post-3450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmowosc-obrazow","category-malarstwo-socrealistyczne","category-malarz-protestu","category-postac-kultowa","tag-filmowosc-obrazu","tag-malarstwo-socrealistyczne","tag-malarz-protestu","tag-postac-kultowa","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Andrzej Wr\u00f3blewski - Galeria Marze\u0144 Andrzej Wr\u00f3blewski<\/title>\n<meta name=\"description\" content=\"Andrzej Wr\u00f3blewski (1927-1957) \u2013 patron artyst\u00f3w zbuntowanych. 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