{"id":3296,"date":"2020-08-22T19:33:44","date_gmt":"2020-08-22T18:33:44","guid":{"rendered":"https:\/\/zagrajwsztuke.pl\/?p=3296"},"modified":"2020-09-04T20:09:46","modified_gmt":"2020-09-04T19:09:46","slug":"wojciech-kossak","status":"publish","type":"post","link":"https:\/\/zagrajwsztuke.pl\/en\/wojciech-kossak\/","title":{"rendered":"Wojciech Kossak"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.5.7&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/1731px-WKossak015.jpg&#8221; parallax=&#8221;on&#8221; custom_padding=&#8221;7vw||10vw||false|false&#8221; custom_padding_tablet=&#8221;100px||100px||true&#8221; custom_padding_phone=&#8221;||||true&#8221; bottom_divider_style=&#8221;ramp2&#8243; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_flip=&#8221;horizontal&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row _builder_version=&#8221;3.25&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font=&#8221;Roboto||||||||&#8221; text_text_color=&#8221;#000000&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;center&#8221; header_font_size=&#8221;80px&#8221; header_line_height=&#8221;1.2em&#8221; header_3_font=&#8221;Roboto|700||on|||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#ffffff&#8221; header_3_font_size=&#8221;24px&#8221; header_3_letter_spacing=&#8221;10px&#8221; header_3_line_height=&#8221;2em&#8221; text_orientation=&#8221;center&#8221; background_layout=&#8221;dark&#8221; module_alignment=&#8221;center&#8221; text_font_size_last_edited=&#8221;off|desktop&#8221; header_font_size_tablet=&#8221;40px&#8221; header_font_size_phone=&#8221;32px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; header_3_font_size_tablet=&#8221;16px&#8221; header_3_font_size_phone=&#8221;14px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; header_3_letter_spacing_tablet=&#8221;5px&#8221; header_3_letter_spacing_phone=&#8221;&#8221; header_3_letter_spacing_last_edited=&#8221;on|tablet&#8221; text_text_shadow_style=&#8221;preset3&#8243; text_text_shadow_horizontal_length=&#8221;0.1em&#8221; text_text_shadow_vertical_length=&#8221;0.1em&#8221; text_text_shadow_color=&#8221;#000000&#8243;]<\/p>\n<h3><strong style=\"font-family: Roboto, Helvetica, Arial, Lucida, sans-serif;\">Wielcy Malarze<\/strong><\/h3>\n<h3><strong style=\"font-family: Roboto, Helvetica, Arial, Lucida, sans-serif; font-size: 80px; letter-spacing: 0.5px;\">Wojciech Kossak<\/strong><\/h3>\n<h3><strong style=\"font-family: Roboto, Helvetica, Arial, Lucida, sans-serif;\">\u2013 malarz panoram<\/strong><\/h3>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Get Started&#8221; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;0px||||false|false&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/692px-Wojciech_Kossak_foto.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;692px-Wojciech_Kossak_foto&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.7&#8243; max_width=&#8221;1100px&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;-8vw|||&#8221; custom_margin_tablet=&#8221;0vw|||&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;1%&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]Wojciech Kossak, 1901, Wikipedia[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2><strong>Wojciech Kossak<\/strong><\/h2>\n<h2><strong>(1856-1942)<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Zapisa\u0142 si\u0119 na kartach polskiej historii sztuki jako jeden z artyst\u00f3w najbardziej p\u0142odnych \u2013 jego artystyczny dorobek oceniany jest na 2\u00a0000 p\u0142\u00f3cien. Spora cz\u0119\u015b\u0107 jego obraz\u00f3w znajduje si\u0119 w r\u0119kach prywatnych, w kraju i za granic\u0105. Portrety p\u0119dzla Wojciech Kossaka nie ograniczaj\u0105 si\u0119 wy\u0142\u0105cznie do uchwycenia podobizny bohatera p\u0142\u00f3tna. Otoczeniem, pejza\u017cem, a przede wszystkim atmosfer\u0105, opowiadaj\u0105 charakter modela.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][et_pb_blurb title=&#8221;WYBITNY BATALISTA<br \/>\n&#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%267%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_circle=&#8221;on&#8221; circle_color=&#8221;rgba(106,154,232,0.3)&#8221; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; 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custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;][\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][et_pb_blurb title=&#8221;MISTRZ SCEN RODZAJOWYCH&#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%100%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_circle=&#8221;on&#8221; circle_color=&#8221;rgba(106,154,232,0.3)&#8221; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2><strong>Wojciech Kossak<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/735px-Kossak_Portret_wlasny_z_paleta.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;735px-Kossak_Portret_w\u0142asny_z_palet\u0105&#8221; align=&#8221;right&#8221; force_fullwidth=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.7&#8243; custom_margin=&#8221;||-10%|&#8221; animation_style=&#8221;roll&#8221; animation_direction=&#8221;left&#8221; animation_intensity_roll=&#8221;4%&#8221;][\/et_pb_image][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.6.0&#8243; _module_preset=&#8221;default&#8221;]<\/p>\n<p>Portret w\u0142asny z palet\u0105, Wikipedia<\/p>\n<p>[\/et_pb_text][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_blurb title=&#8221;1856&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%169%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>(31 grudnia na kwadrans przed p\u00f3\u0142noc\u0105) w Pary\u017cu, jako pierwszy z bli\u017aniak\u00f3w, urodzi\u0142 si\u0119 Wojciech Kossak, syn <span style=\"text-decoration: underline;\"><a href=\"https:\/\/zagrajwsztuke.pl\/juliusz-kossak\/\" target=\"_blank\" rel=\"noopener noreferrer\">Juliusza<\/a> <\/span>i Zofii Ga\u0142czy\u0144skiej. Wkr\u00f3tce przyjecha\u0142 z rodzicami do Warszawy. Od dziecka du\u017co rysowa\u0142.<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1871&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>rozpocz\u0105\u0142 nauk\u0119 malarstwa w krakowskiej Szkole Sztuk Pi\u0119knych, gdzie by\u0142 uczniem W\u0142adys\u0142awa \u0141uszczkiewicza (1828-1900)<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1873 &#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%72%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>wyjecha\u0142 na studia artystyczne do Monachium, sk\u0105d przys\u0142a\u0142 rysunek na kiermasz w Sukiennicach. Jak napisa\u0142a matka artysty: <em>\u201ePrzez trzy dni serce mia\u0142am \u015bci\u015bni\u0119te, bo nikt s\u0142owem jednym nie pochwali\u0142 tego studium, tylko z rodzajem pogardy milcz\u0105cej patrzyli na nie (\u2026) Naraz przychodzi Mistrz (<a href=\"https:\/\/zagrajwsztuke.pl\/jan-matejko\/\">Matejko<\/a>), zaczyna chwali\u0107 bardzo, podziwia\u0107, przypatrywa\u0107 si\u0119; wyci\u0105gaj\u0105 z szarego ko\u0144ca, wieszaj\u0105 na honorowym miejscu\u2026\u201d.<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1877&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>Wojciech Kossak rozpocz\u0105\u0142 nauk\u0119 w Pary\u017cu<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1883&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>wr\u00f3ci\u0142 do Krakowa, gdzie zakocha\u0142 si\u0119 w 20-letniej Marii Kisielnickiej.<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1884&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%141%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>po\u015blubi\u0142 16 lipca Mari\u0119 Kisielnick\u0105. Ich dzieci: Jerzy Kossak (1886-1955), Maria Pawlikowska-Jasnorzewska (1891-1945) i Magdalena Samozwaniec (1894-1972) wychowywa\u0142y si\u0119 w s\u0142ynnej Kossak\u00f3wce (pe\u0142en pami\u0105tek dom, nadal znajduje si\u0119 w r\u0119kach rodziny). Ca\u0142a tr\u00f3jka zdob\u0119dzie s\u0142aw\u0119 i wejdzie do historii polskiej sztuki<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1885 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>ma\u0142\u017ce\u0144stwo Kossakowi \u015bwietnie s\u0142u\u017cy\u0142o, du\u017co malowa\u0142 i wystawia\u0142, jego prace cieszy\u0142y si\u0119 powodzeniem w Wiedniu, gdzie za obraz <em>\u201eHistoria pierwszego pu\u0142ku u\u0142an\u00f3w\u201d<\/em> otrzyma\u0142 z\u0142oty medal.<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1895-1902 &#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%122%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>mieszka\u0142 w Berlinie i by\u0142 uwa\u017cany za nadwornego malarza cesarza. Za <em>\u201ePortret konny Wilhelma II\u201d <\/em>zosta\u0142 odznaczony orderem Or\u0142a Czerwonego. Dosta\u0142 te\u017c krzy\u017c kawalerski Orderu \u017belaznej Korony Pruskiej. Zaszczyty te by\u0142y nag\u0142o\u015bnione w polskiej prasie \u2013 wybuch\u0142 skandal: w wielu oczach Wojciech Kossak jawi\u0142 si\u0119 jako zdrajca sprawy polskiej, albo przynajmniej cz\u0142owiek wyzbyty uczu\u0107 patriotycznych.<\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_blurb title=&#8221;1894 &#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%135%%&#8221; icon_color=&#8221;#6a9ae8&#8243; use_icon_font_size=&#8221;on&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>pierwszy publiczny pokaz <em>\u201ePanoramy Rac\u0142awickiej\u201d<\/em> mia\u0142 miejsce 5 czerwca. Ogromna kompozycja zosta\u0142a entuzjastycznie przyj\u0119ta przez publiczno\u015b\u0107<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1902 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>po kilkuletnim pobycie w Berlinie artysta powr\u00f3ci\u0142 do Polski zgryziony zarzutami o wys\u0142ugiwanie si\u0119 Prusakom<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1905 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>powsta\u0142o najwi\u0119ksze p\u0142\u00f3tno sztalugowe artysty: <em>\u201eKrwawa niedziela\u201d<\/em>, kt\u00f3re by\u0142o pokazywane w Wiedniu, Londynie, Pary\u017cu, Stanach Zjednoczonych, Krakowie i Lwowie i cieszy\u0142o si\u0119 uznaniem krytyki i publiczno\u015bci<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1908 &#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%54%%&#8221; icon_color=&#8221;#6a9ae8&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>m. in. z inicjatywy Wojciecha Kossaka powsta\u0142a grupa malarska <em>\u201eZero\u201d<\/em>, odwo\u0142uj\u0105ca si\u0119 do warto\u015bci historycznych i patriotycznych<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1909 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>zosta\u0142 wybrany cz\u0142onkiem dyrekcji Towarzystwa Przyjaci\u00f3\u0142 Sztuk Pi\u0119knych w Krakowie, wci\u0105\u017c du\u017co malowa\u0142, a jego prace by\u0142y wystawiane w Londynie, Pary\u017cu, Monachium, Antwerpii i Rzymie<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1913 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>zosta\u0142 profesorem Akademii Sztuk Pi\u0119knych w Warszawie. W tym samym roku opublikowa\u0142 swoje <em>\u201eWspomnienia\u201d<\/em> \u2013 ksi\u0105\u017cka mia\u0142a \u015bwietne recenzje i cieszy\u0142a si\u0119 du\u017c\u0105 popularno\u015bci\u0105. Zacz\u0105\u0142 du\u017co sprzedawa\u0107 i nareszcie m\u00f3g\u0142 przesta\u0107 narzeka\u0107 na widmo \u201e\u015bmierci g\u0142odowej\u201d<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1914 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>wybucha I wojna \u015bwiatowa i mimo, i\u017c Wojciech Kossak mia\u0142 ju\u017c 57 lat, zosta\u0142 wcielony do armii austriackiej. Nie przesta\u0142 malowa\u0107, komponowa\u0142 m in. sceny frontowe: <em>\u201eM\u0142ody bohater\u201d, \u201eSen \u017co\u0142nierza\u201d, \u201eNa pobojowisku\u201d<\/em><\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1918 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>tym razem ju\u017c w armii polskiej, Wojciech Kossak zosta\u0142 majorem u\u0142an\u00f3w<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1920 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>wyjecha\u0142 do Pary\u017ca i Stan\u00f3w Zjednoczonych z misj\u0105 kuriera dyplomatycznego. W USA otrzyma\u0142 2 du\u017ce zam\u00f3wienia na obrazy: <em>\u201ePu\u0142awski pod Savannach\u201d<\/em> oraz <em>\u201eKo\u015bciuszko pod Saratog\u0105\u201d<\/em>. Za ka\u017cdy otrzyma\u0142 20\u00a0000 dolar\u00f3w<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1920-1939&#8243; use_icon=&#8221;on&#8221; font_icon=&#8221;%%170%%&#8221; icon_color=&#8221;#6a9ae8&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>g\u0142\u00f3wnym \u017ar\u00f3d\u0142em zarobk\u00f3w artysty sta\u0142o si\u0119 portretowanie \u201es\u0142awnych i bogatych\u201d. Jego popularno\u015b\u0107 nie mala\u0142a, chocia\u017c jego prace by\u0142y bardzo nier\u00f3wne. Opr\u00f3cz wspania\u0142ych i pe\u0142nych rozmachu obraz\u00f3w spotyka si\u0119 wiele autofalsyfikat\u00f3w i powt\u00f3rek. W latach 30. Wojciech Kossak bardzo prze\u017cywa\u0142 ataki awangardowej krytyki, jednak mimo \u201ez\u0142ej\u201d prasy ka\u017cdy prawie, kogo by\u0142o na to sta\u0107, chcia\u0142 mie\u0107 portret wykonany jego r\u0119k\u0105<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1939&#8243; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>wybuch II wojny \u015bwiatowej zasta\u0142 Wojciecha Kossaka w Krakowie. W czasie okupacji, mimo wielu nacisk\u00f3w, nie chcia\u0142 sprzeda\u0107 \u017cadnego obrazu Niemcom. Wymawiaj\u0105c si\u0119 staro\u015bci\u0105 odrzuci\u0142 propozycj\u0119 gubernatora Hansa Franka, kt\u00f3ry koniecznie chcia\u0142 mie\u0107 portret p\u0119dzla Kossaka. A jednak artysta malowa\u0142 do ko\u0144ca i nawet chwali\u0142 si\u0119, \u017ce nie musi nosi\u0107 okular\u00f3w. Wola\u0142 malowa\u0107 krakowskich rzemie\u015blnik\u00f3w ni\u017c portrety niemieckich genera\u0142\u00f3w.<\/p>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;1942 &#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_font_size=&#8221;30px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; border_width_all_image=&#8221;50px&#8221;]<\/p>\n<p>Wojciech Kossak zmar\u0142 29 lipca w Krakowie, pozostawiaj\u0105c mn\u00f3stwo niedoko\u0144czonych prac.<\/p>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2><strong>Ciekawostki:<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_toggle title=&#8221;Rac\u0142awice&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#f7b100&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Powstanie <em>\u201eRac\u0142awic\u201d<\/em> jest zwi\u0105zane z organizowan\u0105 we Lwowie w 1894 Powszechn\u0105 Wystaw\u0105 Krajow\u0105. Powsta\u0142y \u201ekomitet na rzecz polskiej panoramy\u201d sprawi\u0142, i\u017c ju\u017c w lipcu 1893 we Lwowie rozpocz\u0119to budow\u0119 specjalnej rotundy przeznaczonej na umieszczenie w niej gigantycznego dzie\u0142a. P\u0142\u00f3tno ma bowiem d\u0142ugo\u015b\u0107 120 metr\u00f3w i szeroko\u015b\u0107 15 metr\u00f3w, czyli zajmuje powierzchni\u0119 1800 m<sup>2<\/sup>.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;\u201ePanorama Rac\u0142awicka\u201d&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;100ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#00d8bf&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p><em>\u201ePanorama Rac\u0142awicka\u201d<\/em> jest jedyn\u0105 zachowan\u0105 panoram\u0105. Jan Styka z Wojciechem Kossakiem nie byli w stanie wywi\u0105za\u0107 si\u0119 z zadania uko\u0144czenia jej na czas we dw\u00f3ch. Dobrali sobie pomocnik\u00f3w, kt\u00f3rymi byli warto\u015bciowi malarze: Teodor Axentowicz, Ludwik Boller, Tadeusz Popiel, Zygmunt Rozwadowski, Micha\u0142 Soza\u0144ski, Jan Stanis\u0142awski, W\u0142odzimierz Tetmajer i Wincenty Wodzinowski.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;15 podpis\u00f3w&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;200ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#1c58ef&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Praca nad <em>\u201eBerezyn\u0105\u201d<\/em> trwa\u0142a 16 miesi\u0119cy. Wojciech Kossak dobrze pami\u0119ta\u0142 spory dotycz\u0105ce autorstwa <em>\u201eRac\u0142awic\u201d<\/em>. Na wszelki wypadek umie\u015bci\u0142 zatem, w r\u00f3\u017cnych miejscach p\u0142\u00f3tna, a\u017c 15 swoich podpis\u00f3w.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Berezyna&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#f7b100&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p><em>\u201eBerezyna\u201d<\/em> odnios\u0142a ogromny sukces w Berlinie, Warszawie, Kijowie i Moskwie. Wsz\u0119dzie cieszy\u0142a si\u0119 jednakowym zainteresowaniem, przyczyniaj\u0105c si\u0119 do rozs\u0142awienia polskich artyst\u00f3w. Po triumfalne prezentacji w r\u00f3\u017cnych miastach okaza\u0142o si\u0119 jednak, \u017ce nie ma gdzie jej umie\u015bci\u0107. Gigantyczne p\u0142\u00f3tno niszcza\u0142o w skrzyniach, a\u017c w 1907 Wojciech Kossak zabra\u0142 je do siebie, podmalowa\u0142 zniszczenia (przy okazji zmniejszaj\u0105c fragmenty malowane przez Fa\u0142ata), poci\u0105\u0142 na cz\u0119\u015bci i sprzedawa\u0142 po kawa\u0142ku.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Somosierra&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;3px|||||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;100ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#00d8bf&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Panorama <em>&#8222;Somosierra&#8221;<\/em> nie zosta\u0142a nigdy namalowana z powodu braku zgody urz\u0119dnik\u00f3w carskich na wystawienie dzie\u0142a w Warszawie. Powsta\u0142y 4 du\u017ce szkice olejne, malowane wsp\u00f3lnie z Micha\u0142em Wywi\u00f3rskim (malowa\u0142 pejza\u017c) i kilka obraz\u00f3w inspirowanych tematem bitwy.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Bitwa pod piramidami&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; animation_delay=&#8221;200ms&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#1c58ef&#8221; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>Panorama <em>&#8222;Bitwa pod piramidami&#8221;<\/em> by\u0142a tematem zast\u0119pczym wobec braku zgody na namalowanie <em>&#8222;Somosierry&#8221;<\/em>. P\u0142\u00f3tno na <em>&#8222;Somosierr\u0119&#8221;<\/em> by\u0142o ju\u017c zam\u00f3wione w Belgii, budynek panoramiczny w Warszawie ju\u017c zakontraktowany na 2 lata, koszty w po\u0142owie ju\u017c op\u0142acone, wi\u0119c trzeba by\u0142o koniecznie namalowa\u0107 inn\u0105 panoram\u0119. Temat mia\u0142 by\u0107 mi\u0119dzynarodowy z wykluczeniem wojska polskiego. Wojciech Kossak z Micha\u0142em Wywi\u00f3rskim pojechali do Egiptu studiowa\u0107 teren, pejza\u017c, ubiory i typy ludzi. Po powrocie Wywi\u00f3rski malowa\u0142 pejza\u017c, Wojciech Kossak kompozycj\u0119 figuraln\u0105. W projekcie pomagali r\u00f3wnie\u017c: W\u0142adys\u0142aw Jasie\u0144ski, Kazimierz Pu\u0142aski, Zygmunt Rozwadowski, J\u00f3zef Ryszkiewicz i Czes\u0142aw Ta\u0144ski. Panorama mia\u0142a 15 m wysoko\u015bci i 115 m w obwodzie. Panorama nie by\u0142a wystawiana nigdzie poza Warszaw\u0105 i wkr\u00f3tce zosta\u0142a poci\u0119ta na fragmenty.<\/p>\n<p>[\/et_pb_toggle][et_pb_toggle title=&#8221;Olszynka Grochowska&#8221; _builder_version=&#8221;4.5.7&#8243; title_font=&#8221;Roboto|700|||||||&#8221; title_font_size=&#8221;18px&#8221; title_line_height=&#8221;1.7em&#8221; body_font_size=&#8221;16px&#8221; body_line_height=&#8221;2em&#8221; background_color=&#8221;#ffffff&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|30px||30px&#8221; animation_style=&#8221;fold&#8221; animation_direction=&#8221;top&#8221; border_radii=&#8221;on|10px|10px|10px|10px&#8221; border_width_all=&#8221;0px&#8221; border_color_all=&#8221;#f7b100&#8243; border_width_left=&#8221;10px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_blur=&#8221;70px&#8221; box_shadow_color=&#8221;rgba(110,130,208,0.18)&#8221;]<\/p>\n<p>W roku 1915 w wyniku po\u017caru pa\u0142acu Mycielskich w Boryniczach <em>\u201eOlszynka Grochowska\u201d<\/em> sp\u0142on\u0119\u0142a. Wojciech Kossak namalowa\u0142 jej replik\u0119 w okresie dwudziestolecia mi\u0119dzywojennego.<\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/1731px-WKossak015.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;1731px-WKossak015&#8243; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]Artyleria w odwrocie, szkic do panoramy Berezyna, 1896, Wikipedia[\/et_pb_text][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/974px-Wojciech_Kossak_1-K-3650-1.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;974px-Wojciech_Kossak_(1-K-3650-1)&#8221; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]Wojciech Kossak w swej pracowni, rok 1926,  Wikipedia[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2><strong>O sztuce Wojciecha Kossaka:<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.6.0&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Przewodnim motywem tw\u00f3rczo\u015bci ojca (<a href=\"https:\/\/zagrajwsztuke.pl\/juliusz-kossak\/\" target=\"_blank\" rel=\"noopener noreferrer\">Juliusza Kossaka<\/a>) i syna (Wojciecha Kossaka) s\u0105 konie przedstawiane w scenach portretowych, rodzajowych, batalistycznych i historycznych. A jednak, bardziej czu\u0142e oko natychmiast odr\u00f3\u017cni Juliusza od Wojciecha. Przede wszystkim u\u017cywaj\u0105 r\u00f3\u017cnej techniki. O ile przyt\u0142aczaj\u0105ca wi\u0119kszo\u015b\u0107 dzie\u0142 Juliusza wykonana jest akwarel\u0105 na papierze, o tyle Wojciech zazwyczaj maluje na p\u0142\u00f3tnie farbami olejnymi. Bezpretensjonalny, \u0142agodny wdzi\u0119k obraz\u00f3w Juliusza zast\u0119puje artystyczna pewno\u015b\u0107 siebie i rozmach Wojciecha. Z podobnych, albo wr\u0119cz tych samych element\u00f3w ka\u017cdy z nich buduje inny \u015bwiat. Malarstwo Juliusza sk\u0142ania do marze\u0144 o doskona\u0142ej harmonii cz\u0142owieka i natury. Wojciech ka\u017ce zachwyca\u0107 si\u0119 fantazj\u0105 i splendorem swej wizji.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>W malarstwie Wojciecha Kossaka wszystko podporz\u0105dkowane b\u0119dzie sile wyrazu. Artysta wie, \u017ce dla wi\u0119kszo\u015bci ogl\u0105daj\u0105cych wa\u017cniejsze jest atmosfera, ni\u017c drobiazgowe odtworzenie szarfy oficerskiej. Obraz <em>\u201eOlszynka Grochowska\u201d <\/em>\u00a0sprawia wra\u017cenie fotografii o silnym \u0142adunku emocjonalnym. Przedstawia tylko wycinek bitwy. Dowodzone przez Dybicza wojska rosyjskie s\u0105 jednak obecne, tyle, \u017ce poza kadrem obrazu. W ich stron\u0119 kieruj\u0105 si\u0119 salwy polskich \u017co\u0142nierzy, a ich dzia\u0142anie powoduje \u015bmier\u0107 i rany w\u015br\u00f3d powsta\u0144c\u00f3w. Paradoksalnie, taka niewidoczna obecno\u015b\u0107 wroga, powoduje wzrost napi\u0119cia.<\/p>\n<p>\n\t\t<div class='et_quote'>\n\t\t\t<div class='et_right_quote'>\n\t\t\t\t<em>\u201eNa c\u00f3\u017c malowa\u0107, je\u015bli b\u0119dzie robi\u0142 obraz wra\u017cenia na ludziach\u201d<\/em>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t<span class='et_quote_sign'><\/span>\n\t\t<\/div>\n\t\u00a0\u2013 <a href=\"https:\/\/zagrajwsztuke.pl\/jan-matejko\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Jan Matejko<u><\/u><\/strong><\/a><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/1084px-KossakKenn.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;1084px-KossakKenn&#8221; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]Kennkarta Kossaka z marca 1942, Wikipedia[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/1009px-WKossakRaclawice.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;1009px-WKossakRaclawice&#8221; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]Kossak gotuje zup\u0119 dla tw\u00f3rc\u00f3w Rac\u0142awic, Wikipedia[\/et_pb_text][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Pod koniec XIX-tego w., w okresie poprzedzaj\u0105cym nadej\u015bcie epoki kina, ca\u0142\u0105 Europ\u0119 ogarn\u0119\u0142a moda na panoramy. Francuzi, Niemcy, Anglicy wystawali przed galeriami w d\u0142ugich kolejkach, by podziwia\u0107 monumentalne malowid\u0142a, kt\u00f3rych rozmiary przekracza\u0142y wszelkie wyobra\u017cenia. Fascynacja panoramami ogarn\u0119\u0142a tak\u017ce Wojciecha Kossaka. Forma ta doskonale odpowiada\u0142a jego talentowi. Wszak spektakularne odtwarzanie wielkich bitew, to co\u015b, co Wojciech Kossak lubi najbardziej. \u00a0Panoram\u0119 <em>\u201eRac\u0142awice\u201d<\/em> namalowa\u0142 wsp\u00f3lnie z Janem Styk\u0105 (1858-1925). W projekcie pomagali r\u00f3wnie\u017c: Teodor Axentowicz, Ludwik Boller, Tadeusz Popiel, Zygmunt Rozwadowski, Micha\u0142 Soza\u0144ski, Jan Stanis\u0142awski, W\u0142odzimierz Tetmajer i Wincenty Wodzinowski. Ka\u017cdy jest\u00a0 autorem wa\u017cnych fragment\u00f3w. Bezopornie jednak Wojciech Kossak jest autorem wi\u0119kszo\u015bci kompozycji figuralnych. On te\u017c stworzy\u0142, w pierwszym etapie pracy, kluczowe szkice <em>\u201eRac\u0142awic\u201d<\/em>.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Orleta_-_obrona_cmentarza._Wojciech_Kossak.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;Orleta_-_obrona_cmentarza._Wojciech_Kossak&#8221; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]Orl\u0119ta lwowskie, 1926, Wikipedia[\/et_pb_text][et_pb_divider show_divider=&#8221;off&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;2em&#8221; header_font_size=&#8221;28px&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<p>Kolejn\u0105 panoram\u0119: <em>&#8222;Berezyna&#8221;<\/em> Wojciech Kossak namalowa\u0142 wsp\u00f3lnie z Julianem Fa\u0142atem (1853-1929). Podobnie jak przy <em>\u201eRac\u0142awicach\u201d<\/em> Wojciech Kossak odpowiada\u0142 za wszystkie niemal sceny figuralne, Fa\u0142at zajmowa\u0142 si\u0119 pejza\u017cem. Tym razem pomocnikami byli: Micha\u0142 Wywi\u00f3rski, Kazimierz Pu\u0142aski, Jan Stanis\u0142awski i Antoni Piotrowski. W czasie powstawania <em>\u201eBerezyny&#8221;<\/em> cesarz Wilhelm II wielokrotnie odwiedzi\u0142 pracowni\u0119 artyst\u00f3w i z zainteresowaniem \u015bledzi\u0142 post\u0119p prac. Por\u00f3wna\u0142 Wojciecha Kossaka do znanego batalisty Detaille\u2019a i zaliczy\u0142 go do grona najwybitniejszych malarzy. W 1907 roku panorama zosta\u0142a poci\u0119ta na fragmenty.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;3.22.3&#8243; use_background_color_gradient=&#8221;on&#8221; background_color_gradient_start=&#8221;#ffffff&#8221; background_color_gradient_end=&#8221;#F2F2FA&#8221; background_color_gradient_end_position=&#8221;50%&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;0px||0px|0px&#8221; custom_padding_phone=&#8221;|||&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;250px&#8221; bottom_divider_height_tablet=&#8221;150px&#8221; bottom_divider_height_phone=&#8221;110px&#8221; bottom_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;3.25.4&#8243; max_width=&#8221;1700px&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;0px|||&#8221; use_custom_width=&#8221;on&#8221; custom_width_px=&#8221;1700px&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font=&#8221;||||||||&#8221; text_font_size=&#8221;16px&#8221; text_line_height=&#8221;2em&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;45px&#8221; header_2_line_height=&#8221;1.2em&#8221; max_width=&#8221;800px&#8221; max_width_last_edited=&#8221;off|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||0px|||&#8221; header_2_font_size_tablet=&#8221;35px&#8221; header_2_font_size_phone=&#8221;28px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; text_text_shadow_style=&#8221;preset4&#8243;]<\/p>\n<h2><strong>Wojciech Kossak w Muzeach:<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;3.25.4&#8243;][\/et_pb_divider][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/Kossak_Wojciech_-_Pilsudski_on_Horseback.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;Kossak_Wojciech_-_Pi\u0142sudski_on_Horseback&#8221; _builder_version=&#8221;4.5.7&#8243; custom_padding=&#8221;||1px|||&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]J\u00f3zef Pi\u0142sudski na Kasztance, 1928, Wikipedia[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_blurb title=&#8221;Warszawa: Muzeum Narodowe \u2013 Muzeum Wojska Polskiego. Mo\u017cna tam podziwia\u0107 m. in.:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li><em>\u201eFragment Panoramy Berezyna\u201d<\/em> namalowany w 1894-1896<\/li>\n<li><em>\u201eHuzar francuski na \u015bniegu. Szkic do panoramy &#8222;Berezyna&#8221;.\u201d <\/em>namalowany w 1896<\/li>\n<li><em>\u201eDwaj huzarzy francuscy (fragment Panoramy Berezyna)\u201d<\/em> namalowany ok. 1896-1897<\/li>\n<li><em>\u201eWyjazd na polowanie w G<\/em><em>\u00f6d\u00f6ll\u00f6<\/em><em>\u201d<\/em> namalowany w 1887<\/li>\n<li><em>\u201eAutoportret z palet\u0105\u201d <\/em>namalowany w 1893<\/li>\n<li><em>\u201eBitwa pod Piramidami\u201d<\/em> namalowany w 1896<\/li>\n<li><em>\u201eDefilada wojsk cesarskich przed Sobieskim\u201d<\/em> namalowany w 1898<\/li>\n<li><em>\u201eU\u0142an w walce z Kozakiem\u201d <\/em>namalowany w 1900<\/li>\n<li><em>\u201eSiostra mi\u0142osierdzia na linii bojowej pod Warszaw\u0105.\u201d <\/em>namalowany w 1910<\/li>\n<li><em>\u201e\u017bo\u0142nierz i dziewczyna \u2013 Przed Belwederem\u201d <\/em>namalowany w 1912<\/li>\n<li><em>\u201ePortret konny Marii Zandbangowej\u201d <\/em>namalowany w 1913<\/li>\n<li><em>\u201eBitwa pod Raszynem\u201d<\/em> namalowany w 1913<\/li>\n<li><em>\u201eSowi\u0144ski na sza\u0144cach Woli\u201d <\/em>namalowany w 1922<\/li>\n<li><em>\u201eAutoportret z koniem\u201d<\/em> namalowany w 1924<\/li>\n<li><em>\u201eKo\u015bciuszko prowadzi kosynier\u00f3w do ataku\u201d<\/em> namalowany w 1924<\/li>\n<li><em>\u201eKircholm\u201d <\/em>namalowany w 1925<\/li>\n<li><em>\u201eOrl\u0119ta \u2013 obrona cmentarza\u201d <\/em>namalowany w 1926<\/li>\n<li><em>\u201eSzar\u017ca pu\u0142ku u\u0142an\u00f3w\u201d <\/em>namalowany w 1926<\/li>\n<li><em>\u201ePortret Marsza\u0142ka Pi\u0142sudskiego na Kasztance\u201d<\/em> namalowany w 1928<\/li>\n<li><em>\u201ePortret Marsza\u0142ka J\u00f3zefa Pi\u0142sudskiego\u201d <\/em>namalowany w 1928<\/li>\n<li><em>\u201eOlszynka Grochowska\u201d<\/em> namalowany w 1931<\/li>\n<li><em>\u201eGrunwald\u201d <\/em>namalowany w 1931<\/li>\n<li><em>\u201eOdpoczynek u\u0142ana\u201d <\/em>namalowany w 1931<\/li>\n<li><em>\u201ePortret pu\u0142kownika Edwarda Mandella House\u201d <\/em>namalowany w 1932<\/li>\n<li><em>\u201eIdzie u\u0142an borem, lasem\u201d <\/em>namalowany w 1934<\/li>\n<li><em>\u201eSzar\u017ca pod Rokitn\u0105\u201d <\/em>namalowany w 1934<\/li>\n<li><em>\u201eFantazja na temat jazdy konnej\u201d <\/em>namalowany w 1935<\/li>\n<li><em>\u201eWizja Wojska Polskiego\u201d <\/em>namalowany w 1935<\/li>\n<li><em>\u201eChodkiewicz z husari\u0105 pod murami Chocimia w 1921 r.\u201d <\/em>namalowany w 1936<\/li>\n<li><em>\u201eWesele Krakowskie\u201d<\/em> namalowany w 1940<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;Wroc\u0142aw: Muzeum Narodowe \u2013 Panorama Rac\u0142awicka. Mo\u017cna tam podziwia\u0107 m. in.:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li><em>\u201eFragment panoramy. Atak kosynier\u00f3w na rosyjsk\u0105 bateri\u0119. Wojciech Bartosz, gospodarz ze wsi Rz\u0119dowice gasi czapk\u0105 &#8222;krakusk\u0105&#8221; zap\u0142on armaty\u201d <\/em>namalowany w 1894<\/li>\n<li><em>\u201eFragment panoramy. Oddzia\u0142 kosynier\u00f3w biegnie do ataku. Prowadzi ich, z szabl\u0105 w r\u0119ku, Jan \u015alaski. Nad nimi sztandar z napisem &#8222;\u017bywi\u0105 y Broni\u0105&#8221;.\u201d <\/em>namalowany w 1894.<\/li>\n<li><em>\u201ePanorama Rac\u0142awicka &#8211; fragment z lirnikiem\u201d <\/em>namalowany w 1894.<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.25.4&#8243;][et_pb_blurb title=&#8221;Szwajcaria: &#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/switzerland-flaga.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li>Raperswil: Muzeum Polskie<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;USA: &#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/flaga-usa-galeriamarzen.png&#8221; alt=&#8221;Jacek Malczewski&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li style=\"text-align: left;\">Chicago: Muzeum Polskie<\/li>\n<li style=\"text-align: left;\">Waszyngton: Fundacja Tadeusza Ko\u015bciuszki<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;Ukraina:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/ukraine-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li style=\"text-align: left;\">Lw\u00f3w \u2013 Lwowska Galeria Obraz\u00f3w \u2013 Biblioteka Akademii Nauk Ukrainy \u2013 Lwowskie Muzeum Historyczne<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;Krak\u00f3w: Muzeum Narodowe \u2013 Pa\u0144stwowe Zbiory Sztuki na Wawelu \u2013 Biblioteka PAN. Mo\u017cna tam podziwia\u0107 m. in.:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;||2px|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li><em>\u201eKo\u015bciuszko na koniu. Szkic wsp\u00f3lny z Janem Styk\u0105 do panoramy &#8222;Rac\u0142awice&#8221;.\u201d <\/em>namalowany w 1893<\/li>\n<li><em>\u201eScena batalistyczna z bronami\u201d<\/em> namalowany w 1893-1894<\/li>\n<li><em>\u201eScena batalistyczna z fur\u0105\u201d<\/em> namalowany w 1893-1894<\/li>\n<li><em>\u201ePalenie sztandar\u00f3w (fragment Panoramy Berezyna) \u201d<\/em> namalowany w 1896<\/li>\n<li><em>\u201eWalka u\u0142ana z piechurem\u201d<\/em> namalowany w 1912<\/li>\n<li><em>\u201eU\u0142an przy koniu\u201d <\/em>namalowany po 1925<\/li>\n<li><em>\u201eU\u0142an i dziewczyna\u201d<\/em> namalowany po 1925<\/li>\n<li><em>\u201eKawalerzy\u015bci\u201d <\/em>lub <em>\u201eU\u0142ani\u201d<\/em> namalowany w 1926<\/li>\n<li><em>\u201eWizja Napoleona\u201d <\/em>namalowany w 1914<\/li>\n<li><em>\u201eRewia kawalerii polskiej na krakowskich B\u0142oniach w dniu 6 pa\u017adziernika 1933 r.\u201d <\/em>namalowany w 1934<\/li>\n<li><em>\u201e\u015awi\u0119to Kawalerii Polskiej 6 X 1933\u201d<\/em> namalowany w 1934<\/li>\n<li><em>\u201eStudium je\u017ad\u017aca na koniu\u201d<\/em> bez daty<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][et_pb_blurb title=&#8221;Inne miasta Polski:&#8221; image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/poland-galeria-marzen.png&#8221; alt=&#8221;galeria marze\u0144&#8221; icon_placement=&#8221;left&#8221; _builder_version=&#8221;4.5.7&#8243; header_font=&#8221;Roboto|700|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;18px&#8221; header_line_height=&#8221;1.7em&#8221; body_font=&#8221;||||||||&#8221; body_text_align=&#8221;left&#8221; body_font_size=&#8221;18px&#8221; body_line_height=&#8221;1.8em&#8221; background_color=&#8221;#ffffff&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; animation_style=&#8221;zoom&#8221; animation_intensity_zoom=&#8221;8%&#8221; animation=&#8221;off&#8221; box_shadow_style_image=&#8221;preset2&#8243; box_shadow_horizontal_image=&#8221;5px&#8221; box_shadow_vertical_image=&#8221;5px&#8221; box_shadow_blur_image=&#8221;5px&#8221;]<\/p>\n<ul>\n<li>Bytom: Muzeum G\u00f3rno\u015bl\u0105skie. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eWzi\u0119cie do niewoli towarzysza pancernego &#8211; epizod z wojny szwedzkiej\u201d <\/em>namalowany w 1894<\/li>\n<\/ul>\n<\/li>\n<li>Lublin: Muzeum Okr\u0119gowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201ePoczet sztandarowy. Fragment panoramy &#8222;Berezyna&#8221;.\u201d <\/em>namalowany w 1896.<\/li>\n<\/ul>\n<\/li>\n<li>\u0141a\u0144cut: Muzeum-Zamek w \u0141a\u0144cucie. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eZofia, Maria i R\u00f3\u017ca Tarnowskie podczas konnej przeja\u017cd\u017cki na krakowskich B\u0142oniach\u201d <\/em>namalowany w 1925<\/li>\n<\/ul>\n<\/li>\n<li>\u0141\u00f3d\u017a: Muzeum Sztuki. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eRanny kirasjer i dziewczyna\u201d <\/em>namalowany w 1908<\/li>\n<\/ul>\n<\/li>\n<li>Opole: Muzeum \u015al\u0105ska Opolskiego. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eKuchnia polowa nad Berezyn\u0105. Fragment panoramy\u201d <\/em>namalowany w 1896.<\/li>\n<li><em>\u201eJan Kili\u0144ski prowadzi je\u0144c\u00f3w rosyjskich przez ulice Warszawy\u201d <\/em>namalowany w 1908<\/li>\n<\/ul>\n<\/li>\n<li>Pozna\u0144: Muzeum Narodowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eSzar\u017ca Mameluk\u00f3w pod wodz\u0105 Murad Paszy. Cz\u0119\u015b\u0107 panoramy &#8222;Bitwa pod piramidami&#8221;.\u201d <\/em>namalowany w 1900<\/li>\n<li><em>\u201eNa stra\u017cy\u201d <\/em>namalowany w 1903<\/li>\n<li><em>\u201ePortret arcyksi\u0119cia Karola Stefana Habsburga z \u017bywca\u201d <\/em>namalowany w 1911<\/li>\n<li><em>\u201ePortret arcyksi\u0119\u017cny Marii Teresy Habsburg z \u017bywca\u201d <\/em>namalowany w 1911<\/li>\n<li><em>\u201eRotmistrz Mie\u0142\u017cy\u0144ski przyprowadza Janowi III chor\u0105giew husarsk\u0105 pod Wiede\u0144\u201d <\/em>namalowany w 1925<\/li>\n<li><em>\u201ePose\u0142 Mie\u0142\u017cy\u0144ski na dworze w Sztokholmie\u201d <\/em>namalowany w 1925<\/li>\n<li><em>\u201eSt. Mie\u0142\u017cy\u0144ski wyp\u0119dza Austriak\u00f3w z Torunia\u201d <\/em>namalowany w 1925<\/li>\n<\/ul>\n<\/li>\n<li>Przemy\u015bl: Muzeum Narodowe Ziemi Przemyskiej. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eDroga z Burgos (p\u00f3\u0142noc)\u201d<\/em> szkic do panoramy malowany wsp\u00f3lnie z Micha\u0142em Wywi\u00f3rskim; namalowany w 1900<\/li>\n<li><em>\u201eSzar\u017ca na baterie hiszpa\u0144skie (wsch\u00f3d)\u201d <\/em>szkic do panoramy malowany wsp\u00f3lnie z Micha\u0142em Wywi\u00f3rskim; namalowany w 1900<\/li>\n<li><em>\u201eDroga do Madrytu otwarta (po\u0142udnie)\u201d<\/em> szkic do panoramy malowany wsp\u00f3lnie z Micha\u0142em Wywi\u00f3rskim; namalowany w 1900<\/li>\n<li><em>\u201eLa guerilla (zach\u00f3d)\u201d <\/em>szkic do panoramy malowany wsp\u00f3lnie z Micha\u0142em Wywi\u00f3rskim; namalowany w 1900<\/li>\n<\/ul>\n<\/li>\n<li>Szczecin: Muzeum Narodowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eWiosna 1813 roku\u201d <\/em>namalowany w 1903<\/li>\n<\/ul>\n<\/li>\n<li>Toru\u0144: Muzeum Okr\u0119gowe. Mo\u017cna tam podziwia\u0107 m. in.:\n<ul>\n<li><em>\u201eRugi pruskie (z cyklu &#8222;Duch pruski&#8221;)\u201d <\/em>namalowany w 1909<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<ul>\n<li>G\u00f3rki Wielkie: Muzeum Zofii Kossak<\/li>\n<li>Kielce: Muzeum Narodowe<\/li>\n<li>Tarn\u00f3w: Muzeum Okr\u0119gowe<\/li>\n<li>Zamo\u015b\u0107: Muzeum Ziemi Zamojskiej<\/li>\n<\/ul>\n<p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;Services&#8221; _builder_version=&#8221;3.22.3&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_size=&#8221;initial&#8221; custom_padding=&#8221;80px|0px|80px|0px|false|false&#8221; custom_padding_tablet=&#8221;|||&#8221; custom_padding_phone=&#8221;0px|20%|0px||true&#8221; bottom_divider_style=&#8221;ramp&#8221; bottom_divider_color=&#8221;#ffffff&#8221; bottom_divider_height=&#8221;200px&#8221; bottom_divider_flip=&#8221;horizontal&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; 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header_2_font_size_last_edited=&#8221;on|desktop&#8221;]<\/p>\n<h2><strong>Wojciech Kossak<\/strong><\/h2>\n<h2><strong>(1856-1942)<\/strong><\/h2>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_divider][et_pb_counters _builder_version=&#8221;4.5.7&#8243; percent_font=&#8221;||||||||&#8221;][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]BATALISTA:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]\u015aWIETNY PORTRECISTA:[\/et_pb_counter][et_pb_counter percent=&#8221;95&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]MISTRZ SCEN RODZAJOWYCH:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]PANORAMISTA:[\/et_pb_counter][et_pb_counter percent=&#8221;100&#8243; _builder_version=&#8221;4.5.7&#8243; title_font_size=&#8221;20px&#8221; background_enable_color_default=&#8221;on&#8221; parallax_default=&#8221;off&#8221; parallax_method_default=&#8221;on&#8221; bar_background_color_default=&#8221;#E02B20&#8243; use_percentages=&#8221;on&#8221; allow_player_pause_default=&#8221;off&#8221;]OBRAZY-FOTOGRAFIE:[\/et_pb_counter][\/et_pb_counters][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/1689px-Kossak_Battle_of_Olszynka_Grochowska.jpg&#8221; alt=&#8221;Wojciech Kossak&#8221; title_text=&#8221;1689px-Kossak_Battle_of_Olszynka_Grochowska&#8221; _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;][\/et_pb_image][et_pb_text _builder_version=&#8221;4.5.7&#8243; _module_preset=&#8221;default&#8221;]Olszynka Grochowska, 1886, Wikipedia[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;Call to action&#8221; _builder_version=&#8221;4.5.7&#8243; background_color_gradient_direction=&#8221;130deg&#8221; background_image=&#8221;https:\/\/zagrajwsztuke.pl\/wp-content\/uploads\/2020\/08\/brush-96240_1920.jpg&#8221; parallax=&#8221;on&#8221; custom_padding=&#8221;16vw||7vw||false|false&#8221; custom_padding_tablet=&#8221;100px||100px||true&#8221; custom_padding_phone=&#8221;||||true&#8221; top_divider_style=&#8221;ramp2&#8243; top_divider_color=&#8221;#ffffff&#8221; top_divider_height=&#8221;250px&#8221; top_divider_flip=&#8221;vertical&#8221; top_divider_height_tablet=&#8221;150px&#8221; top_divider_height_phone=&#8221;110px&#8221; top_divider_height_last_edited=&#8221;on|phone&#8221; saved_tabs=&#8221;all&#8221;][et_pb_row module_class=&#8221; et_pb_row_fullwidth&#8221; _builder_version=&#8221;3.25&#8243; width=&#8221;89%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|desktop&#8221; max_width=&#8221;89%&#8221; max_width_tablet=&#8221;80%&#8221; max_width_phone=&#8221;&#8221; max_width_last_edited=&#8221;on|desktop&#8221; custom_margin_phone=&#8221;|||&#8221; custom_margin_last_edited=&#8221;off|desktop&#8221; custom_padding=&#8221;|||&#8221; make_fullwidth=&#8221;on&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.5.7&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Roboto|700|||||||&#8221; header_2_font_size=&#8221;50px&#8221; header_2_line_height=&#8221;1.4em&#8221; header_3_font=&#8221;Roboto|700||on|||||&#8221; header_3_text_align=&#8221;center&#8221; header_3_text_color=&#8221;#ffffff&#8221; header_3_font_size=&#8221;24px&#8221; header_3_letter_spacing=&#8221;5px&#8221; header_3_line_height=&#8221;2em&#8221; text_orientation=&#8221;center&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;850px&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221; text_font_size_last_edited=&#8221;off|desktop&#8221; header_2_font_size_tablet=&#8221;40px&#8221; header_2_font_size_phone=&#8221;32px&#8221; header_2_font_size_last_edited=&#8221;on|desktop&#8221; header_3_font_size_tablet=&#8221;16px&#8221; header_3_font_size_phone=&#8221;14px&#8221; header_3_font_size_last_edited=&#8221;on|phone&#8221; text_text_shadow_style=&#8221;preset3&#8243; text_text_shadow_horizontal_length=&#8221;0.1em&#8221; text_text_shadow_vertical_length=&#8221;0.1em&#8221;]<\/p>\n<h3>CZAS NA ZABAW\u0118!<\/h3>\n<h2>GOT\u00d3W NA GR\u0118?<\/h2>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMxNjQifX0=@&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;GRAM!&#8221; button_alignment=&#8221;center&#8221; _builder_version=&#8221;4.5.7&#8243; _dynamic_attributes=&#8221;button_url&#8221; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;26px&#8221; button_text_color=&#8221;#FFFFFF&#8221; button_bg_color=&#8221;#E02B20&#8243; button_border_width=&#8221;0px&#8221; button_border_radius=&#8221;37px&#8221; button_letter_spacing=&#8221;7px&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_vertical=&#8221;4px&#8221; box_shadow_blur=&#8221;14px&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wojciech Kossak (1856-1942) - panorama painter. Wojciech Kossak - his artistic output is estimated at 2 000 canvases<\/p>","protected":false},"author":1,"featured_media":3326,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1920","footnotes":""},"categories":[75,74,124,126,125],"tags":[130,131,128,127,129],"class_list":["post-3296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animalista","category-batalista","category-mistrz-scen-rodzajowych","category-obrazy-fotografie","category-panoramista","tag-mistrz-scen-rodzajowych","tag-obrazy-fotografie","tag-panoramista","tag-swietny-portrecista","tag-wybitny-batalista","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Wojciech Kossak - Galeria Marze\u0144 Wojciech Kossak<\/title>\n<meta name=\"description\" content=\"Wojciech Kossak (1856-1942) \u2013 malarz panoram. 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