The Great Painters

Piotr Michałowski

- painter of Polish Romanticism

Piotr Michałowski

Self-portrait (after 1849), Wikipedia

Piotr Michałowski 

(1800-1855)

Surely a few people could share a biography. A landowner, an efficient host, a clerk, a statesman. His true passion was painting - but he preferred civic and economic responsibilities to private passions. In painting, he was practically self-taught, which is why his paintings are so brave, devoid of academic routine. That is why Michałowski's art - alongside Chopin's music and Mickiewicz's poetry - is the most beautiful expression of Polish Romanticism.

BATALIST

EMINENT ANIMALIST

PIONEER OF IMPRESSIONISM

Piotr Michałowski

1800

(2 July) Piotr Michałowski, son of Józef Michałowski and Tekla from Morsztyn, was born in Kraków

1814

At the age of 14 he passed the public maturity exam, giving a one-hour speech in Latin... He began his studies at the Jagiellonian University: natural sciences, mathematics and foreign languages.

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1821

He continued his studies in Göttingen: law and political science. Drawing was a fun activity, although already then his sketches of horses and troops were gaining recognition

1827

 He became head of the Metallurgical Department and mining councilor. He had little time for art - although during his business trips he found time to visit the gallery. In his free time, encouraged by his family, he painted amateurishly.

1831

During the November Uprising he organised the production of weapons for the insurgents. In February that year he married Julia Ostrowska.

1832

After the defeat of the uprising, he had to flee. He went to Paris, where he began regular painting lessons in N. Charlet's studio. Piotr Michałowski has not been keeping up with the orders, his decorative watercolours with horses and sledges are very popular.

1835

his sick father called on him to return and take over the farm. Piotr Michałowski does not hesitate for a moment to put his commitment to his family before his artistic career.

Piotr Michałowski

 

Portrait of a peasant in a hat (around 1846) Wikipedia

1837

After his father's death in April, Piotr Michałowski takes over the estate in Krzysztoforzyce. The stay in the countryside opened another innovative stage in Piotr Michałowski's art. He painted in the open air and his paintings were posed for by local residents: peasants, beggars, Jews.

1845

a return to France, travel abroad, plans for a full return to painting

1848

However, the Spring of Nations and the revolution in Galicia forced him to return. Piotr Michałowski became head of the Administrative Council of the Krakow District. Once again, the citizen of Michałowski won over the artist.

1850

He organized help for fire victims in the great fire of Krakow in 1850, initiated the establishment of a care centre for neglected boys. On this occasion, 4 of his works were put up for charity auction - it was the first public show of his paintings in the country.

1855

Piotr Michałowski was experiencing a recurrence of heart disease, which first appeared several years earlier, after his daughter's death. He died of a heart attack on 9 June in Krzysztoforzyce. He was bid farewell to the Rakowicki Cemetery in Krakow by crowds of inhabitants.

Interesting facts:

The first biography...
The first biography of Piotr Michałowski was written by his daughter Celina. One of Piotr's seven children, who inherited her father's painting talent but chose monastic life. Piotr Michałowski's biography was published anonymously in 1911.
Sculpture
Piotr Michałowski also tried his hand at sculpture. Two works have survived: a self-portrait and a horse statue of Napoleon cast in bronze, which can be seen in the National Museum in Krakow.
Géricault
In Charlet's studio, Piotr Michałowski painted not only faithful copies but also free travesties of Géricault's paintings ("A horse with a cart loaded with plaster"). The style of both painters is sometimes so similar that years later there were mistakes in attribution. Michałowski's self-portrait from the Musée des Beaux-Arts in Rouen was long regarded as the work of a French Romantic.
Cardinal

Piotr Michałowski rarely dated, reworked and painted on abandoned compositions. In "Cardinal" from under a red cape, called mucet, the face of a country girl arranged horizontally clearly shines through.

Slaughterhouses
During his stay in Paris, Piotr Michałowski visited not only the Louvre but also the abattoirs in Paris... to study horse anatomy. He was such an outstanding animalist that on the basis of his works it is possible to precisely determine the breed of the horses, cattle and pets portrayed.
Piotr Michałowski

Portrait of the artist's daughter Celina on horseback (about 1853), Wikipedia

About the art of Piotr Michałowski:

Michałowski was one of the first Polish artists to "discover" the countryside as a painting theme, and certainly the first to materialise these interests in high-class works of art".
 – Jan K. Ostrowski. Jego: „Starzec siedzący na stopniach”, mrużący w słońcu oczy krzysztoforzycki dziad przypomina antyczny posąg filozofa.

He often dressed the surrounding peasants in knightly armour or cardinal red and painted knights, cardinals. The brilliant "Cardinal", formerly known as "The Man in the Birette", is a painting dialogue with the masterpiece of Velázquez - the image of Pope Innocent X.

"Relatives who visited his house, wandering old people, old soldiers, hospitably bandaged, often left wonderful faces on the walls of the paint shop, and during their free time around the earth the beautiful people of Krakow often provided beautiful patterns"
 – Celina Michałowska, the artist's daughter.

Piotr Michałowski